The Wizard's Son, Vol. 1 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 1 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
The day on which Walter set out for Kinloch Houran was fine and bright,
the sky very clear, the sun shining, the hills standing out against the
blue, and every line of the tall trees clearly marked upon the
transparent atmosphere. It was not till two days after the conversation
above recorded--for there had been much to explain, and Walter was so
little acquainted with business that instructions of various kinds were
necessary. Miss Milnathort was visible much earlier than usual on the
morning of his departure, and he was admitted to see her. She was paler
than before, and her little soft face was full of agitation; the corners
of her mouth turned down, and her upper lip, which was a trifle too
long, quivering. This added rather than took away from her appearance of
youth. She was like a child who had exhausted itself with crying, and
still trembled with an occasional sob. She stretched up her arms to him
as if she would have put them round his neck, and bade God bless him
with a tremulous voice.
"You must have plenty of courage," she said; "and you must never, never
give up your own way."
Walter was touched to the heart by this look of trouble on the innocent,
young-old face.
"I thought it was always right to give up one's own way," he said, in
the light tone which he had come to employ with her.
She made an effort to smile in response.
"Oh yes, oh yes, it's the fashion to say so. You are a self-denying
race, to believe yourselves; but this time you must not yield."
"To whom am I supposed to be about to yield?" he asked. "You may be sure
I sha'n't unless I can't help myself."
The tears overflowed her bright old eyes; her hands shook as they held
his.
"God bless you! God bless you!" she said. "I will do nothing but pray
for you, and you will tell me when you come back."
Public-domain text, read in full here on John Shaqi.
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