The Wizard's Son, Vol. 1 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 1 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
"The light?" Walter said. He had been about to ask what the meaning of
it might be. It had not been visible at all when they started, but for
the last moment or two had been growing steadily. The daylight was
waning every minute, and no doubt (he thought) it was this that made the
light more evident. It shone from the balcony or high roof-terrace
which surrounded the old tower. It was difficult to distinguish what it
was, or identify any lamp or beacon as the origin of it. It seemed to
come from the terrace generally, a soft, extended light, with nothing
fiery in it, no appearance of any blaze or burning, but a motionless,
clear shining, which threw a strange glimmer upwards upon the solid mass
of the tower, and downwards upon the foliage, which was black and
glistening, and upon the surface of the water. "Yon's the phenomenon,"
said Symington, pointing with a jerk of his elbow. The light brought out
the whole mass of rugged masonry and trees from the rest of the
landscape, and softly defined it against the darker background.
"How is it done?" said the young man, simply. He perceived the moment
after that his tone was like that of the bagman on the coach, and
shivered at the thought. So soft and steady was the light that it had
not seemed to him extraordinary at all.
"What do you mean by a phenomenon?" he asked, hastily. He remembered
suddenly that the young lady on the coach had spoken of this light, and
taken it, so to speak, under her protection.
"If your lordship has ainy desire to inquire into my opinion," said old
Symington, "though I doubt that's little likely, I would say it was just
intended to work on the imagination. Now and then, indeed, it's useful
in the way of a sign--like a person waving to you to come and speak;
but to work on the imagination, that's what I would say."
Walter looked up at the light which threw a faint glimmer across the
dark water, showing the blackness of the roughened ripple, over which
they were making their way, and bringing into curious prominence the
dark mass of the building rising out of it. It was not like the moon, it
was more distinct than starlight, it was paler than a torch: nor was
there any apparent central point from which it came. There was no
electric light in those days, nor was Loch Houran a probable spot for
its introduction: but the clear colourless light was of that
description. It filled the visitor with a vague curiosity, but nothing
more.
"To work on--whose imagination? and with what object?" he said.
Public-domain text, read in full here on John Shaqi.
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