The Wizard's Son, Vol. 2 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 2 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
excitement about her, consequent on having just heard the news of
Walter's arrival, but no expectation to make this excitement tangible.
They made a pretty show upon the little beach, reflected, too, in the
clear depths below--the bit of ribbon on the mother's cap, the knot of
pale roses on Oona's breast, culminating in Mysie's stronger tints on
one side, and the red of Hamish's garment on the other.
"What a pretty picture it would make," Katie said. "'Hospitality,' you
ought to call it, or 'Welcome to the isle.' But there ought to be a
gentleman to make it perfect; either an old gentleman to represent
Oona's father, or a young one for her husband. Don't you think so, Lord
Erradeen?"
It was perhaps at this moment when he was listening with a somewhat
distracted look, smiling against the grain, and standing up in the boat
to steer, that Oona saw him first. It cannot be denied that the shock
was great. In her surprise she had almost made a false step on the
slippery shingle, and Mrs. Forrester grasped her dress with an "Oona!
you'll be in the water if you don't take more care." Oona recovered
herself with a blush, which she would have given anything in the world
to banish from her countenance. It was so then! This man, who had, all
unawares, produced so much effect upon her life and thoughts, was coming
back within her little circle of existence in Katie Williamson's train!
She smiled to herself a moment after, holding her head high, and with a
sense of ridicule pervading the being which had been momentarily
transfixed by that keen arrow of surprise and pain. She said to herself
that the humour of it was more than any one could have believed, but
that all was well. Oh, more than well!--for was not this the thing of
all others that was good for her, that would put the matter on the
easiest footing?
Public-domain text, read in full here on John Shaqi.
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