But that soul had no wings which looked out from Walter's haggard countenance, as he leant on the half-ruined wall. He gazed at the scene before him like one who had no lot or part in it. Its peace and brightness brought but into greater relief the restlessness of his own soul, the gloom and blackness in his heart. He had been struggling all night in a fierce internal controversy which, to his own consciousness, was with another intelligence more powerful than his own, and yet might have been with himself, with the better part that kept up within him a protest for better things, with such representatives of conscience and the higher affections as still existed within him. However it was, he was exhausted with the struggle, his strength was worn out. That lull of pain which does not mean any cure, or even any beginning of healing, but is merely a sign that the power of the sufferer to endure has come to its limit, gave him a kind of rest. But the rest itself was restless and incapable of composure. He moved about like an uneasy spirit along the broken line of the old battlements, pausing here and there to plunge his eyes into the landscape, to take in the morning air with a long inspiration. And so unlike was the mood of his mind to his usual character and habits, that as he moved, Walter gave vent to a low moaning, such as gives a kind of fictitious relief to the old and suffering--an involuntary utterance which it was terrible to hear coming with his breathing from a young man's lips, and in the midst of such a scene. Was he talking to himself? Was he only moaning as a dumb creature moans? By and by he half flung himself, in his weariness, into one of the ruinous embrasures, and remained there, leaning his back against one side of it. And then he said to himself, repeating the words over and over again--"Neither God's nor Oona's. Neither Oona's nor God's."