The Wizard's Son, Vol. 2 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 2 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
All these accusations had been made as plain to him as the daylight. He
had not been allowed to escape; the course of his life had been traced
so clearly, that he could not protest, or object, or contradict; he was
convinced--the most terrible position in which a man can be. Whether any
man, thoroughly persuaded of his own moral wretchedness and debasement
ever does escape despair, is a question full of difficulty. The
prodigal's sense that in his father's house every servant has enough and
to spare while he perishes of hunger is a different matter. "Father, I
have sinned, I am no more worthy to be called thy son; make me as one of
thy hired servants." There are still possibilities to a soul in such a
position. But one who is driven from stronghold to stronghold, until at
length he is forced to allow that there is no inducement which has not
been tried and failed with him, that he has no claim to the succour of
God or man, or woman, that he has turned his back upon all, neglected
all, wronged every power in heaven and earth that could help, what is he
to do? He may be forgiven; but forgiveness, in the entire abasement of
that discovery, is not what he wants. He wants a renovation for which
there seems no means left; he wants, in the old language--that language
which we are said to have outgrown--to be born again: and that is
impossible--impossible! What is there in heaven or earth that will
prevent him from doing all over again what he has done before, the
moment his circumstances permit it? So long as he is what he
is--nothing: and how shall he be made other than what he is?
"Ye must be born again." Ah, what preacher can know that as he does? But
how--but how? Neither God's nor Oona's--and who, then, was to help him?
He had caught at the woman in his despair; he had not even so much as
thought of God till the last moment, and then had flown like a coward to
a fetish, meaning nothing but to escape. Why should God bend down from
those spotless heavens to acknowledge the wretched runaway's clutch at
his divine garments in the extremity of mortal terror? Would Oona have
given him that hand of hers, had she known how his was stained? And
would God attend to that coward's appeal made only when everything else
failed?
Public-domain text, read in full here on John Shaqi.
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