The Wizard's Son, Vol. 2 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 2 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
whom he had ever been brought into contact. The thing was not that they
were in love with each other, but that they could get on quite well
together. Notwithstanding, Walter, being quite content with the
circumstances as they were, took no new step, but let the course of
events run on day by day.
They had gone together to one of the last celebrations of the waning
season--the evening reception at the Royal Academy. Everybody who was in
town was there; and Walter, who had now an abundance of acquaintances,
went from one group to another, paying his respects to the ladies, but
always keeping somewhere within reach of the Williamsons, with whom he
had come. Katie expected him to be within reach. It had come to be a
habit with her to look round for Lord Erradeen, to beg him to get her
what she wanted, to take her to this or that. Her father, though always
most dutiful in attendance, yet naturally found persons of his own age
to talk with; and he was apt to say foolish things about the pictures,
and say them at the top of his voice, which made Katie cautious not to
direct his attention to them more than was necessary; but Walter, who
on the whole considered her something of an authority on art, and was
not unwilling to accept her guidance to some extent, was here a very
agreeable companion. She had just intimated to him her desire to look at
something of which the artist had been speaking to her--for Katie
considered it her duty even in presence of society to show a certain
regard for the pictures, as the supposed object of the meeting--and
taking his arm, was going on to the corner indicated, when somebody all
at once made a little movement towards them with a quick exclamation of
pleasure, and saying, "Walter!" suddenly laid a finger upon Lord
Erradeen's unoccupied arm.
Public-domain text, read in full here on John Shaqi.
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