The Wizard's Son, Vol. 3 (of 3)Oliphant, Mrs. (Margaret)
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The Wizard's Son, Vol. 3 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
This was how it was that Oona found herself alone. Walter cast behind
him an anxious look, but he could not desert the elder ladies, and Oona
was glad to be left behind. Her mind had recovered its calm; but she had
much to think of, and his presence disturbed her, with that influence of
personal contact which interferes with thought. She knew the old castle,
if not every step of it, as her mother said, yet enough to make it
perfectly safe for her. Old Macalister had gone first to lead the way,
to open doors and windows, that the ladies might see everything, and,
save for Hamish in his boat on the beach, there was nobody within sight
or call. The shadow of the old house shut out the sunshine from the
little platform in front of the door; but at the further side, where the
trees grew among the broken masses of the ruin, the sun from the west
entered freely. She stood for a moment undecided, then turned towards
that wild conjunction of the living and the dead, the relics of the
past, and the fresh growth of nature, which give so much charm to every
ruin. Oona went slowly, full of thought, up to the battlements, and
looked out upon the familiar landscape, full of light and freshness, and
all the natural sounds of the golden afternoon--the lapping of the water
upon the rocks, the rustle of the wind in the trees, the far-off murmurs
of life, voices cheerful, yet inarticulate, from the village, distant
sounds of horses and wheels on the unseen roads, the bark of a dog, all
the easy, honest utterance, unthought of, like simple breathing, of
common life. For a moment the voice of her own thoughts was hushed
within her, replaced by this soft combination of friendly noises. It
pleased her better to stand here with the soft air about her, than amid
all the agitation of human influences to accompany the others.
Public-domain text, read in full here on John Shaqi.
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