The Wizard's Son, Vol. 3 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 3 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
astronomical models, stood on tables about. The curtained walls were
hung with portraits, one of which she recognised as that of the last
Lord Erradeen. And in the centre of all supported on a table with a
lamp burning in front of it, the light of which (she supposed), blown
about by the sudden entrance of the air, so flickered upon the face that
the features seemed to change and move, was the portrait of Walter. The
cry which she would have uttered at this sight died in Oona's throat.
She stood speechless, without power to think, gazing, conscious that
this discovery was not for nothing, that here was something she must do,
but unable to form a thought. The light fell upon the subdued colours of
the hangings and furniture with a mystic paleness, without warmth; but
the atmosphere was luxurious and soft, with a faint fragrance in it.
Oona held open the door, which seemed in the movement of the air which
she had admitted, to struggle with her, but to which she held with a
desperate grasp, and gazed spellbound. Was it the flickering of the
lamp, or was it possible that the face of the portrait changed, that
anguish came into the features, and that the eyes turned and looked at
her appealing, full of misery, as Walter's eyes had looked? It seemed to
Oona that her senses began to fail her. There was a movement in the
tapestry, and from the other side of the room, some one put it aside,
and after looking at her for a moment came slowly out. She had seen him
only in the night and darkness, but there was not another such that she
should mistake who it was. A thrill ran through her of terror,
desperation, and daring. Whatever might now be done or said, Oona had
come to the crisis of her fate.
He came towards her with the air of courtesy and grace, which seemed his
most characteristic aspect. "Come in," he said; "to reach this place
requires a stout heart; but you are safe here."
Oona made him no reply. She felt her voice and almost her breathing
arrested in her throat, and felt capable of nothing but to hold fast to
the heavy door, which seemed to struggle with her like a living thing.
"You are afraid," he said; "but there is no reason to fear. Why should
you think I would injure you? You might have fallen, like others, from
the ruin; but you are safe here."
He advanced another step and held out his hand. It seemed to Oona that
the door crushed her as she stood against it, but she would not let go
her hold; and with all her power she struggled to regain possession of
her voice, but could not, paralysed by some force which she did not
understand.
He smiled with a slight ridicule in his lofty politeness. "I tell you
not to fear," he said. "Yours is not a spirit to fear; you who would
have put yourself in his place and defied the demon. You find me no
demon, and I offer no hostility, yet you are afraid."
Public-domain text, read in full here on John Shaqi.
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