The Wizard's Son, Vol. 3 (of 3)Oliphant, Mrs. (Margaret)
General
The Wizard's Son, Vol. 3 (of 3)
Oliphant, Mrs. (Margaret)
Great Britain -- Fiction; Inheritance and succession -- Fiction; Supernatural -- Fiction
succeed in dragging her to the little opening, a mere crevice between
the stones, through which the thread of light had come. When he had
cleared the vegetation from it, a piercing cold breath came in and
revived him. He raised Oona in his arms to the air, but the weight of
her unconsciousness was terrible to him in his weakened condition, and
though she began to breathe more easily, she was not sufficiently
recovered to give him any help.
Thus she lay, and he crouched beside her, trying to think, for he could
not tell how long. He heard sounds above him indeed, but the roar of the
falling stones drowned the human noises, and his brain was too much
clouded to think of the search which must be going on overhead for his
companion and himself. The worst of all was this dazed condition of his
brain, so that it was a long time before he could put one thing to
another and get any command of his thoughts. In all likelihood
consciousness did not fully return until the time when the men above in
despair relinquished their work, for some feeble sense of cries and
human voices penetrated the darkness, but so muffled and far off that in
the dimness of his faculties he did not in any way connect them with
himself, nor think of attempting any reply. Perhaps it was, though he
was not aware that he heard it, the echo of his own name that finally
brought him to the full possession of himself--and then all his dull
faculties centred, not in the idea of any help at hand, but in that of
fighting a way somehow to a possible outlet. How was he to do it? The
pain of his arm was so great that at times he had nearly fainted with
mere bodily suffering, and his mind fluctuated from moment to moment--or
was it not rather from hour to hour?--with perplexity and vain
endeavour. He was conscious, however, though he had not given any
meaning to the sounds he heard, of the strange silence which followed
upon the stopping of the work. Something now and then like the movements
of a bird (was it Hamish working wildly above, half-mad, half-stupefied,
unable to be still?) kept a little courage in him, but the silence and
darkness were terrible, binding his very soul.
It was then that he had the consolation of knowing that his companion
had come to herself. Suddenly a hand groping found his, and caught it;
it was his wounded arm, and the pain went like a knife to his heart, a
pang which was terrible, but sweet.
"Where are we?" Oona said, trying to raise herself--oh, anguish!--by
that broken arm.
He could not answer her for the moment, he was so overcome by the
pain--and he was holding her up with the other arm.
"Do not hold my hand," he said at last; "take hold of my coat. Thank God
that you can speak!"
"Your arm is hurt, Walter?"
"Broken, I think; but never mind, that is nothing. Nothing matters so
long as you have your senses. Oona, if we die together, it will be all
right?"
Public-domain text, read in full here on John Shaqi.
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