And after this there was no further talk of Thibault’s fiery head. Nevertheless, it seemed as if Madame Suzanne’s eyes were irresistibly attracted to this unfortunate lock, and every time that Thibault’s eyes met the mocking look in hers, he thought he detected on her face a reminiscence of the laugh which had not long since made him feel so uncomfortable. He was very much annoyed at this, and, in spite of himself, he kept putting up his hand to try and hide the unfortunate lock under the rest of his hair. But the hairs were not only unusual in colour, but also of a phenomenal stiffness--it was no longer human hair, but horse-hair. In vain Thibault endeavoured to hide the devil’s hairs beneath his own, nothing, not even the hair-dresser’s tongs could have induced them to lie otherwise than in the way which seemed natural to them. But although so occupied with thinking of his hair, Thibault’s legs still continued their tender manœuvres; and although Madame Magloire made no response to their solicitations, she apparently had no wish to escape from them, and Thibault was presumptuously led to believe that he had achieved a conquest. They sat on pretty late into the night, and Madame Suzanne, who appeared to find the evening drag, rose several times from the table and went backwards and forwards to other parts of the house, which afforded the Bailiff opportunities of frequent visits to the cellar. He hid so many bottles in the lining of his waistcoat, and once on the table, he emptied them so rapidly, that little by little his head sank lower and lower on to his chest, and it was evidently high time to put an end to the bout, if he was to be saved from falling under the table. Thibault decided to profit by this condition of things, and to declare his love to the Bailiff’s wife without delay, judging it a good opportunity to speak while the husband was heavy with drink; he therefore expressed a wish to retire for the night. Whereupon they rose from table, and Perrine was called and bidden to show the guest to his room. As he followed her along the corridor, he made enquiries of her concerning the different rooms. Number one was Maître Magloire’s, number two that of his wife, and number three was his. The Bailiff’s room, and his wife’s, communicated with one another by an inner door; Thibault’s room had access to the corridor only. He also noticed that Madame Suzanne was in her husband’s room; no doubt some pious sense of conjugal duty had taken her there. The good man was in a condition approaching to that of Noah when his sons took occasion to insult him, and Madame Suzanne’s assistance would seem to have been needed to get him into his room. Thibault left his own room on tiptoe, carefully shut his door behind him, listened for a moment at the door of Madame Suzanne’s room, heard no sound within, felt for the key, found it in the lock, paused a second, and then turned it.