Thibault, still half drunk, was conscious of a crowd of mingled
sensations, of the lashing of the whip, the collision with the horse,
and the rolling through cold water and mud, while the horseman passed
on.
He rose to his knees, furious with anger, and shaking his fist at the
retreating figure:
“Would the devil,” he exclaimed, “I might just for once have my turn at
being one of you great lords, might just for twenty-four hours take your
place, Monsieur Raoul de Vauparfond, instead of being only Thibault, the
shoe-maker, so that I might know what it was to have a fine horse to
ride, instead of tramping on foot; might be able to whip the peasants I
met on the road, and have the opportunity of paying court to these
beautiful women, who deceive their husbands, as the Comtesse de
Mont-Gobert does!”
The words were hardly out of his mouth, when the Baron’s horse shied,
throwing the rider over its head.
CHAPTER XVI
MY LADY’S LADY
Thibault was delighted at seeing what had happened to the young Baron,
whose hand, anything but light, had so shortly before made use of his
whip on Thibault’s shoulders, which still smarted with the blow. The
latter now ran at full speed to see how far Monsieur Raoul de Vauparfond
was injured; he found a body lying insensible, stretched across the
road, with the horse standing and snorting beside it.
But Thibault could hardly believe his senses on perceiving that the
figure lying in the road was not the same as had, but five minutes
previously, ridden past him and given him the lash with the whip. In the
first place, this figure was not in the dress of a gentleman, but
clothed like a peasant, and, what was more, the clothes he had on seemed
to Thibault to be the same as he himself had been wearing only a moment
before. His surprise increased more and more and amounted almost to
stupefaction on further recognising, in the inert, unconscious figure,
not only his own clothes, but his own face. His astonishment naturally
led him to turn his eyes from this second Thibault to his own person,
when he became aware that an equally remarkable change had come over his
costume. Instead of shoes and gaiters, his legs were now encased in an
elegant pair of hunting boots, reaching to the knee, as soft and smooth
as a pair of silk stockings, with a roll over the instep, and finished
off with a pair of fine silver spurs. The knee-breeches were no longer
of corduroy, but of the most beautiful buckskin, fastened with little
gold buckles. His long coarse olive-coloured coat was replaced by a
handsome green hunting-coat, with gold lace facings, thrown open to
display a waistcoat of fine white jean, while over the artistically
pleated shirt hung the soft wavy folds of a cambric cravat. Not a single
article of dress about him but had been transformed, even to his old
lantern-shaped hat, which was now a three-cornered one, trimmed with
gold lace to match the coat. The stick also, such as workmen carry
Public-domain text, read in full here on John Shaqi.
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