At the hour announced for the fishing, a crowd assembles, varying in
number according to the size and the celebrity of the pond, but
comparatively as large and as fashionable as that to be seen at the
Champ de Mars or Chantilly on race days when favourite horses are to run
and favourite jockeys to ride. Only here the spectators do not look on
from grand stands and carriages; on the contrary, they come as they can,
or as they like, in gigs, pleasure vans, phaëtons, carts, on horse-back,
on donkey-back, but once on the spot everyone rushes to find a place,
stationing him or herself either in order of arrival, or according to
the amount of elbowing and pushing of which each is capable, always,
however, with that due respect for authority which is observed even in
the least civilised districts. A sort of stout trellis-work, however,
firmly sunk into the ground, prevents the onlookers from falling into
the reservoir.
The colour and the smell of the water betoken the arrival of the fish.
Every kind of show has its drawbacks: the larger and grander the
audience at the opera house, the more carbonic acid is there to draw
into the lungs; at the drawing of a pond, the nearer the supreme moment
approaches, the more marsh-gas is there to inhale.
When the sluice is first opened, the water that pours through is
beautifully clear, and slightly green in colour, like the water of a
brook; this is the upper layer, which, carried along by its weight, is
the first to appear. By degrees the water becomes less transparent, and
takes on a greyish hue; this is the second layer, emptying itself in
turn, and every now and then, more frequently as the water becomes
muddier, a ray of silver is seen to dart through it; it is some fish,
too small and weak to resist the current, which flashes past as if
acting as scout for its stronger brethren. Nobody troubles to pick it
up; it is allowed to lie gasping, and trying to find some little
stagnant puddle of water at the bottom of the pond, flapping,
floundering and capering like an acrobat going through his antics.
Then the black water comes pouring through; this is the last act, the
final catastrophe.
Each fish, according to its power of resistance, struggles against the
current which is bearing it along in this unusual manner. Instinctively
they feel there is danger, and each strives its hardest to swim in an
opposite direction; the pike struggles beside the carp which it was
yesterday pursuing so hard; the perch is reconciled to the tench, and as
they swim side by side, does not so much as think of taking a bite out
of the flesh he finds so palatable at other times. So the Arabs at times
find huddled together in the pits they dig to catch game, gazelles and
jackals, antelopes and hyenas, the jackals and hyenas having grown as
gentle and as timid as the gazelles and antelopes.
Public-domain text, read in full here on John Shaqi.
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