The argument with the blacksmith had one satisfactory result so far as
Seth was concerned. In a measure it afforded a temporary vent for his
feelings. He was moderately agreeable during his brief stay at the
grocery store, and when his orders were given and he found the hour not
half over, he strolled out to walk about the village. And then, alone
once more, all his misery and heartache returned. He strode along, his
head down, scarcely speaking to acquaintances whom he met, until he
reached the railway station, where he sat down on the baggage truck to
mentally review, over and over again, the scene with Emeline and the
dreadful collapse of his newborn hopes and plans.
As he sat there, the door of the station opened and a man emerged, a man
evidently not a native of Eastboro. He was dressed in a rather loud, but
somewhat shabby, suit of summer plaid, his straw hat was set a trifle
over one ear, and he was smoking the stump of a not too fragrant
cigar. Altogether he looked like a sporting character under a temporary
financial cloud, but the cloud did not dim his self-satisfaction nor
shadow his magnificent complaisance. He regarded the section of Eastboro
before him with condescending scorn, and then, catching sight of the
doleful figure on the baggage truck, strolled over and addressed it.
“I say, my friend,” he observed briskly, “have you a match concealed
about your person? If so, I--”
He stopped short, for Mr. Atkins, after one languid glance in his
direction, had sprung from the truck and was gazing at him as if he was
some apparition, some figure in a nightmare, instead of his blase self.
And he, as he looked at the lightkeeper's astounded countenance,
dropped the cigar stump from his fingers and stepped backward in alarmed
consternation.
“You--you--YOU?” gasped Seth.
“YOU!” repeated the stranger.
“You!” cried Seth again; not a brilliant nor original observation, but,
under the circumstances, excusable, for the nonchalant person in
the plaid suit was Emeline Bascom's brother-in-law, the genius, the
“inventor,” the one person whom he hated--and feared--more than anyone
else in the world--Bennie D. himself.
There was a considerable interval during which neither of the pair
spoke. Seth, open-mouthed and horror-stricken, was incapable of speech,
and the inventor's astonishment seemed to be coupled with a certain
nervousness, almost as if he feared a physical assault. However, as the
lightkeeper made no move, and his fists remained open, the nervousness
disappeared, and Bennie D. characteristically took command of the
situation.
“Hum!” he observed musingly. “Hum! May I ask what you are doing here?”
“Huh--hey?” was Seth's incoherent reply.
“I ask what you are doing here? Have you followed me?”
“Fol-follered you? No.”
“You're sure of that, are you?”
Public-domain text, read in full here on John Shaqi.
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