The Woman in BlackBentley, E. C. (Edmund Clerihew)
General
The Woman in Black
Bentley, E. C. (Edmund Clerihew)
Detective and mystery stories; Trent, Philip (Fictitious character) -- Fiction
The second odd little fact that was apparent from the outset was
Manderson's leaving his dental plate by the bedside. It appeared that he
had risen and dressed himself fully, down to his necktie and watch and
chain, and had gone out-of-doors without remembering to put in this
plate, which he had carried in his mouth every day for years, and which
contained all the visible teeth of the upper jaw. It had evidently not
been a case of frantic hurry; and even if it had been, he would have
been more likely to forget almost anything than this denture. Any one
who wears such a removable plate will agree that the putting it in on
rising is a matter of second nature. Speaking as well as eating, to say
nothing of appearances, depend upon it.
Neither of these queer details, however, seemed to lead to anything at
the moment. They only awakened in me a suspicion of something lurking in
the shadows, something that lent more mystery to the already mysterious
question how and why and through whom Manderson met his end.
With this much of preamble I come at once to the discovery which, in the
first few hours of my investigation, set me upon the path which so much
ingenuity had been directed to concealing.
I have already described Manderson's bedroom, the rigorous simplicity of
its furnishings, contrasted so strangely with the multitude of clothes
and shoes, and the manner of its communication with Mrs. Manderson's
room. On the upper of the two long shelves on which the shoes were
ranged I found, where I had been told I should find them, the pair of
patent leather shoes which Manderson had worn on the evening before his
death. I had glanced over the row, not with any idea of their giving me
a clue, but merely because it happens that I am a judge of shoes, and
all these shoes were of the very best workmanship.
Public-domain text, read in full here on John Shaqi.
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