Isle of Man -- Fiction; World War, 1914-1918 -- Fiction
“Yes, but I’m leaving it presently.”
“Ah, I remember! I’ve heard something about you. And where are you
going to when you leave here?”
“I don’t know yet, sir.”
He looks at her as if measuring her from head to foot, and then says,
with another smile:
“Come to my country, girlie. We have some strapping young women out
west, but we can do with a few more of the same sort, I guess.”
Mona is startled. Obvious as the word is, it comes like an inspiration.
America! “The melting-pot of the nations!” All the races of the world
are there. They must live in peace together or life could not go on.
When Oskar comes that night she tells him what the stranger has said,
and his big, heavy, sleepless eyes become bright and excited.
“Why not? Why shouldn’t we? That great free country! What a relief to
leave all the d----d mess of this life in Europe behind us!”
There is a difficulty, though. He has heard that America refuses to
admit people who have been in prison. He has been four years in an
internment camp--will America allow him to land? He must ask the
chaplain.
The following night Oskar comes back with a still brighter face.
“It’s all right, Mona. Internment is not imprisonment in the eyes of
American law.”
But there is one other difficulty. America requires that every
immigrant shall have something in his pocket to prevent him from
becoming a burden on the new country.
“It’s not much, but I have too little. If I had been a free man I
should have earned four thousand pounds in the time I’ve been here, but
when I leave the camp I shall only have fifty.”
Mona is overjoyed--at length _she_ can do something.
“That’s no difficulty at all, Oskar. The auction is to come off soon,
and after I’ve paid what I owe I shall have enough for both of us.”
It is the day before the auction, and Mona is gathering up the stock
and bringing them down to the houses--the beasts she had put out on
the grass, the “dry” cows that are stretched on their bellies chewing
the cud, the sheep that are bleating, and the early lambs that are
baa-ing.
She is going up the mountain to fetch the young bull to which she has
taken a bowl of wheat twice a week throughout the winter. A new wave of
hope has come to her, a golden radiance is shining in the future, and
she is singing to herself as she climbs through the heather.
Suddenly, when she reaches the top of the hill, by the tower called
“Corrin’s Folly,” she hears fierce animals snorting, and at the next
moment sees that three bulls are fighting. One of them is her own young
bull, small and lithe, the two others are old and large and black and
have iron rings in their nostrils. She remembers the old ones. They
belong to John Corlett, and must have leapt over the boundary to get at
the young one, and are now goring it fearfully.
Public-domain text, read in full here on John Shaqi.
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