They crossed the walk. With Bernard's assistance, Paul was easily able
to grip the ledge above the basement floor and to hoist himself to the
stone balcony.
"That's it," he said. "Go back to where we were and whistle in case of
danger."
After bestriding the balustrade, he carefully loosened one of the
shutters by passing first his fingers and then his hand through the
intervening space; and he succeeded in unfastening the bolt. The
curtains, being crossed inside, enabled him to move about unseen; but
they were open at the top, leaving an inverted triangle through which he
could see by climbing on to the balustrade.
He did so and then bent forward and looked.
The sight that met his eyes was such and gave him so horrible a blow
that his legs began to shake beneath him. . . .
CHAPTER XV
PRINCE CONRAD MAKES MERRY
A table running parallel with the three windows of the room. An
incredible collection of bottles, decanters and glasses, hardly leaving
room for the dishes of cake and fruit. Ornamental side-dishes flanked by
bottles of champagne. A basket of flowers surrounded by liqueur-bottles.
Twenty persons were seated at table, including half-a-dozen women in
low-necked dresses. The others were officers, covered with gold lace and
orders.
In the middle, facing the window, sat Prince Conrad, presiding over the
banquet, with a lady on his right and another on his left. And it was
the sight of these three, brought together in the most improbable
defiance of the logic of things, that caused Paul to undergo a torture
which was renewed from moment to moment.
That one of the two women should be there, on the prince's right,
sitting stiff-backed in her plum-colored stuff gown, with a black-lace
scarf half-hiding her short hair, was easy to understand. But the other
woman, to whom Prince Conrad kept turning with a clumsy affectation of
gallantry, that woman whom Paul contemplated with horror-struck eyes and
whom he would have liked to strangle where she sat, what was she doing
there? What was Élisabeth doing in the midst of those tipsy officers and
dubious German women, beside Prince Conrad and beside the monstrous
creature who was pursuing her with her hatred?
The Comtesse Hermine d'Andeville! Élisabeth d'Andeville! The mother and
the daughter! There was no plausible argument that would allow Paul to
apply any other description to the prince's two companions. And
something happened to give this description its full value of hideous
reality when, a moment later, Prince Conrad rose to his feet, with a
glass of champagne in his hand, and shouted:
"_Hoch! Hoch! Hoch!_ Here's to the health of our very wideawake friend!"
"_Hoch! Hoch! Hoch!_" shouted the band of guests. "The Comtesse
Hermine!"
She took up a glass, emptied it at a draught and began to make a speech
which Paul could not hear, while the others did their best to listen
with a fervent attention which was all the more meritorious in view of
their copious libations.
Public-domain text, read in full here on John Shaqi.
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