The prince was removed at once. Then the Comtesse Hermine went up to Élisabeth. Not five minutes had elapsed since the prince rolled under the table; and, after the din of the banquet, a great silence reigned in the disorderly room where the two women were now by themselves. Élisabeth had once more hidden her head in her hands and was weeping violently with sobs that shook her shoulders. The Comtesse Hermine sat down beside her and gently touched her on the arm. The two women looked at each other without a word. It was a strange glance that they exchanged, a glance laden with mutual hatred. Paul did not take his eyes from them. As he watched the two of them, he could not doubt that they had met before and that the words which they were about to speak were but the sequel and conclusion of some earlier discussion. But what discussion? And what did Élisabeth know of the Comtesse Hermine? Did she accept that woman, for whom she felt such loathing, as her mother? Never were two human beings distinguished by a greater difference in physical appearance and above all by expressions of face denoting more opposite natures. And yet how powerful was the series of proofs that linked them together! These were no longer proofs, but rather the factors of so actual a reality that Paul did not even dream of discussing them. Besides, M. d'Andeville's confusion when confronted with the countess' photograph, a photograph taken in Berlin some years after her pretended death, showed that M. d'Andeville was an accessory to that pretended death and perhaps an accessory to many other things. And Paul came back to the question provoked by the agonizing encounter between the mother and daughter: what did Élisabeth know of it all? What insight had she been able to obtain into the whole monstrous conglomeration of shame, infamy, treachery and crime? Was she accusing her mother? And, feeling herself crushed under the weight of the crimes, did she hold her responsible for her own lack of courage? "Yes, of course she does," thought Paul. "But why so much hatred? There is a hatred between them which only death can quench. And the longing to kill is perhaps even more violent in the eyes of Élisabeth than in those of the woman who has come to kill her." Paul felt this impression so keenly that he really expected one or the other to take some immediate action; and he began to cast about for a means of saving Élisabeth. But an utterly unforeseen thing happened. The Comtesse Hermine took from her pocket one of those large road-maps which motorists use, placed her finger at one spot, followed the red line of a road to another spot and, stopping, spoke a few words that seemed to drive Élisabeth mad with delight. She seized the countess by the arm and began to talk to her feverishly, in words interrupted by alternate laughing and sobbing, while the countess nodded her head and seemed to be saying: