"A month later," continued Paul, still speaking very calmly, "M.
d'Andeville, who had lost his wife, took so great a dislike to Ornequin
that he decided never to go back to it. Your plan was carried out at
once. Now that the château was free, it became necessary for you to
obtain a footing there. How was it done? By buying over the keeper,
Jérôme, and his wife. That wretched couple, who certainly had the excuse
that they were not Alsatians, as they pretended to be, but of Luxemburg
birth, accepted the bribe. Thenceforth you were at home, free to come to
Ornequin as and when you pleased. By your orders, Jérôme even went to
the length of keeping the death of the Comtesse Hermine, the real
Comtesse Hermine, a secret. And, as you also were a Comtesse Hermine and
as no one knew Mme. d'Andeville, who had led a secluded life, everything
went off well. Moreover, you continued to multiply your precautions.
There was one, among others, that baffled me. A portrait of the Comtesse
d'Andeville hung in the boudoir which she used to occupy. You had a
portrait painted of yourself, of the same size, so as to fit the frame
inscribed with the name of the countess; and this portrait showed you
under the same outward aspect, wearing the same clothes and ornaments.
In short, you became what you had striven to appear from the outset and
indeed during the lifetime of Mme. d'Andeville, whose dress you were
even then beginning to copy: you became the Comtesse Hermine
d'Andeville, at least during the period of your visits to Ornequin.
There was only one danger, the possibility of M. d'Andeville's
unexpected return. To ward this off with certainty, there was but one
remedy, murder. You therefore managed to become acquainted with M.
d'Andeville, which enabled you to watch his movements and correspond
with him. Only, something happened on which you had not reckoned. I mean
to say that a feeling which was really surprising in a woman like
yourself began gradually to attach you to the man whom you had chosen as
a victim. I have placed among the exhibits a photograph of yourself
which you sent to M. d'Andeville from Berlin. At that time, you were
hoping to induce him to marry you; but he saw through your schemes, drew
back and broke off the friendship."
The countess had knitted her brows. Her lips were distorted. The
lookers-on divined all the humiliation which she had undergone and all
the bitterness which she had retained in consequence. At the same time,
she felt no shame, but rather an increasing surprise at thus seeing her
life divulged down to the least detail and her murderous past dragged
from the obscurity in which she believed it buried.
Public-domain text, read in full here on John Shaqi.
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