Opening one of the shutters, he saw a mark on the wall of the rectangular space which the picture used to occupy; and he was able to perceive, from certain details, that the removal had been effected in a hurry. For instance, the gilt scroll had dropped from the frame and was lying on the floor. Paul picked it up stealthily so that Bernard should not see the inscription engraved upon it. But, while he was examining the panel more attentively after Bernard had unfastened the other shutter, he gave an exclamation. "What's the matter?" asked Bernard. "There . . . look . . . that signature on the wall . . . where the picture was: a signature and a date." It was written in pencil; two lines across the white plaster, at a man's height. The date, "Wednesday evening, 16 September, 1914," followed by the signature: "Major Hermann." Major Hermann! Even before Paul was aware of it, his eyes had seized upon a detail in which all the significance of those two lines of writing was concentrated; and, while Bernard came forward to look in his turn, he muttered, in boundless surprise: "Hermann! . . . Hermine! . . ." The two words were almost alike. Hermine began with the same letters as the Christian or surname which the major had written, after his rank, on the wall. Major Hermann! The Comtesse Hermine! H, E, R, M: The four letters on the dagger with which Paul had nearly been killed! H, E, R, M: the four letters on the dagger of the spy whom he had captured in the church-steeple! Bernard said: "It looks to me like a woman's writing. But, if so. . . ." And he continued thoughtfully, "If so . . . what conclusion are we to draw? Either the peasant-woman and Major Hermann are one and the same person, which means that the peasant-woman is a man or that the major is not, or else we are dealing with two distinct persons, a woman and a man. I believe that is how it is, in spite of the uncanny resemblance between that man and that woman. For, after all, how can we suppose that the same person can have written this signature yesterday evening, passed through the French lines and spoken to me at Corvigny disguised as a peasant-woman . . . and then be able to return here, disguised as a German major, blow up the house, take to flight and, after killing some of his own soldiers, make his escape in a motor-car?" Paul, absorbed by his thoughts, did not answer. Presently he went into the adjoining room, which separated the boudoir from the set of rooms which his wife had occupied. Of these nothing remained except debris. But the room in between had not suffered so very much; and it was very easy to see, by the wash-hand-stand and the condition of the bed, that it was used as a bedroom and that some one had slept in it the night before.