“Pardon me. I ought never to sing when I am alone. These harmonious
strains agitate me, and recall to my mind souvenirs that are too
painful.”
“_Mon Dieu_! What is the matter? Have confidence in me.”
“No, no! Do not ask me.”
Closing the piano, and summoning a smile to her face, she said—
“Let us talk about you, not about me.”
She looked at Marcel, and said, in tones of affectionate reproof—
“How warm you are! You have been walking too fast, and the hill is so
steep! It will be my turn to scold if you do not act sensibly. Now come
out into the garden.”
He quietly followed her. They walked along the small alleys of the tiny
garden, then seated themselves under the shade of the blossoming lilacs,
where they entered into a chat, talking of everything except of what they
really thought.
On the road, Baudoin had not lost sight of his master. When Marcel had
entered the villa the servant had approached with considerable
precaution. Madame Vignola’s singing had stopped as soon as Marcel
appeared, so that Baudoin had heard nothing. He took good care not to
pass in front of the door, but followed a footpath along the wall which
continued in the direction of the wood, along a high copse crowned with
large trees. On reaching the thicket he climbed the slope, and, concealed
behind a bush, was able to catch a glimpse of the garden. The lilacs,
under which Anetta and Marcel were chatting, grew at the foot of the
mound which Baudoin had chosen as his observatory. There they were,
seated with their backs towards him, about thirty yards away.
Baudoin reflected. Who can this woman dressed in black be? She looks
young, and of very good figure. Marcel loses no time once he sets out on
a campaign. But perhaps all preliminaries have been facilitated for him?
What is this young stranger doing here, and what interest is it of hers
to place herself in immediate communication with M. Marcel? What are they
speaking of, there, under my very eyes? Certainly it cannot be business.
Then love must be the bait at the end of the line. The hook is well
concealed, and will appear at the right moment.
During this monologue the two friends continued their conversation. They
sat there, near one another, but the sound of their words did not reach
Baudoin. At the end of an hour they stood upright, and the young woman
turned round so as to face Baudoin. _He_ examined her with astonishment
and admiration, for seldom had he seen a more beautiful face. He was
obliged to acknowledge that he had never seen her hitherto. After all,
what resemblance had he expected? The “other” woman, the one of Vanves,
he had seen only in the shadow of night, and so as to render it
impossible to recognize her again. The only clues he possessed were that
characteristic favourite perfume of hers, and the sound of her voice,
which still vibrated in his ears.
Public-domain text, read in full here on John Shaqi.
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