England -- Social life and customs -- Fiction; Inheritance and succession -- Fiction; Love stories; Young women -- Fiction
It was the hour at which the Buildings is most quiet, and as Derrick
went up the stone stairs, he did not meet any one; he stood for a moment
or two opposite Celia's door, actually afraid to knock; for, though he
had said to Donna Elvira that the girl might be married, that he might
have lost sight of her for ever, he had always pictured her as behind
that door, and always cherished the conviction that, if ever he should
return, he should find her there. At last, he knocked. No response came.
He knocked again, and the sound of the diminutive knocker echoed
prophetically amidst the stone walls; still there was no response. His
heart sank within him, and he leant against the iron hand-rail, gnawing
at his lip with a keen disappointment, a blank dismay. He tried to tell
himself that her absence might be only temporary, that she would return:
it was ridiculous to suppose that she should not go out sometimes, that
she should be sitting there within the room, waiting for him: absolutely
ridiculous!
He lit a cigarette and waited on the merely improbable chance of her
return; the minutes grew into half an hour before he realised that he
might wait hours, and that it would be easy to inquire if she were still
living there. All the same, he lingered, as if he were loath to take his
eyes from that door through which she had come to him as an angel of
rescue--no, far better, as a pure, a brave woman.
Presently he heard the sound of slow footsteps ascending the stairs.
They paused on the floor beneath him, and Derrick, descending quickly,
saw the thin, bent figure of an old man; he held a violin-case and a
small parcel of grocery under his arm, and was on the point of unlocking
the door immediately beneath that of the girl. The old man turned his
head as Derrick came down upon him, and Derrick, notwithstanding the
state of his mind, was struck by the nobility and dignity of the thin,
wasted face and the dark, penetrating eyes.
"I beg your pardon," said Derrick. "Can you tell me----?"
He stopped, for the old man had dropped the parcel and stood looking,
not at it, but at Derrick. Derrick hastened to pick it up, and,
instinctively, raised his hat as he handed the small package.
"I'm afraid I startled you, sir," he said, with that note of respect and
deference which came into Derrick's voice when he was addressing women
and the aged: it was just one of those little characteristics which
attracted people to the young man, and made them take to him at first
acquaintance. "I wanted to ask you a question about a young lady, the
young lady who lives in the room above this." For the life of him, he
could not bring himself to ask the question straight out.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account