The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory GirlsVan Vorst, John, Mrs.
History
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls
Van Vorst, John, Mrs.
Child labor -- United States; Women -- Employment -- United States; Working class -- United States
What spirit deeper than her character has hitherto displayed stirs the
mill-girl in the bed next to me? Possibly the tragedy in the other bed;
possibly the tragedy of her own youth. At all events, whatever burden is
on her, her cross is heavy! She murmurs in her dreams, in a voice more
mature, more serious than any tone of hers has indicated:
"Oh, my God!"
It is a strange cry--call--appeal. It rings solemn to me as I lie and
watch and pity. Hours of night which should be to the labourer peaceful,
full of repose after the day, drag along from nine o'clock, when we
went to bed, till three. At three Mrs. White falls into a doze. I envy
her. Over me the vermin have run riot; I have killed them on my neck and
my arms. When it seemed that flesh and blood must succumb, and sleep,
through sheer pity, take hold of us, a stirring begins in the kitchen
below which in its proximity seems a part of the very room we occupy.
The landlady, Mrs. Jones, has arisen; she is making her fire. At a
quarter to four Mrs. Jones begins her frying; at four a deep, blue, ugly
smoke has ascended the stairway to us. This smoke is thick with
odours--the odour of bad grease and bad meat. Its cloud conceals the
beds from me and I can scarcely pierce its curtain to look through the
window. It settles down over the beds like a creature; it insinuates
itself into the clothes that hang upon the wall. So permeating is it
that the odour of fried food clings to everything I wear and haunts me
all day. I can hear the sputtering of the saucepan and the fall and flap
of the pieces of meat as she drops them in to fry. _I know what they
are_, for I have seen them the night before--great crimson bits of flesh
torn to pieces and arranged in rows by the fingers of a ragged Negro as
he crouched by the kitchen table.
This preparation continues for an hour: it takes an abnormally long time
to cook abnormally bad food! Long before five the clock of Excelsior
rings and the cry of the mill is heard waking whomsoever might be lucky
enough to be asleep. Mrs. Jones calls Molly. "Molly!" The girl murmurs
and turns. "Come, you-all git up; you take so powerful long to dress
yo'self!" Long to dress! It is difficult to see how that would be
possible. She rises reluctantly, yawning, sighing; lifts her scarcely
rested body, puts on her stockings and her shoes and the dirty wrapper.
Her hair is untouched, her face unwashed, but she is ready for the day!
Mrs. White has actually fallen asleep, the small roll, her baby, curled
up close to her back.
Molly's summons is mine as well. I am a mill-hand with her. I rise and
repeat my ablutions of the evening before. Unhooking the tin basin,
possessing myself of a bit of soap on the kitchen stairs, I wash my face
and hands. Although the water is dipped from the pail on which a scum
has formed, still it is so much more cool, refreshing and stimulating
than anything that has come in contact with me for hours that it is a
positive pleasure.
Public-domain text, read in full here on John Shaqi.
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