The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory GirlsVan Vorst, John, Mrs.
History
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls
Van Vorst, John, Mrs.
Child labor -- United States; Women -- Employment -- United States; Working class -- United States
Under the trellis of the elevated road the "cables" clang their way.
Trucks and automobiles, delivery wagons and private carriages plunge
over the rough pavements. The sidewalks are crowded with people who are
dressed for business, and who, whether men or women, are a business
type; the drones who taste not of the honey stored in the hives which
line the streets and tower against the blue sky, veiling it with smoke.
The orderly rush of busy people, among whom I move toward an address
given in the paper, is suddenly changed into confusion and excitement by
the bell of a fire-engine which is dragged clattering over the cobbles,
followed closely by another and another before the sound of the horses'
hoofs have died away. Excitement for a moment supersedes business. The
fire takes precedence before the office, and a crowd stands packed
against policemen's arms, gazing upward at a low brick building which
sends forth flames hotter than the brazen sun, smoke blacker than the
perpetual veil of soot.
I compare the dingy gold number over the burning door with the number in
print on the newspaper slip held between my thumb and forefinger.
Decidedly this is not one of my lucky days. The numbers correspond. But
there are other addresses and I collect a series of replies. The
employer in a box factory on the West Side takes my address and promises
to let me know if he has a vacancy for an unskilled hand. Another boss
printer, after much urging on my part, consents to give me a trial the
following Monday at three dollars a week. A kindly forelady in a large
printing establishment on Wabash Avenue sends me away because she wants
only trained workers. "I'm real sorry," she says. "You're from the East,
aren't you? I notice you speak with an accent."
By this time it is after three in the afternoon; my chances are
diminishing as the day goes on and others apply before me. There is one
more possibility at a box and label company which has advertised for a
girl to feed a Gordon press. I have never heard of a Gordon press, but I
make up my mind not to leave the label company without the promise of a
job for the very next day. The stairway is dingy and irregular. My
spirits are not buoyant as I open a swinging door and enter a room with
a cage in the middle, where a lady cashier, dressed in a red silk waist,
sits on a high stool overlooking the office. Three portly men, fat, well
nourished, evidently of one family, are installed behind yellow ash
desks, each with a lady typewriter at his right hand. I go timidly up to
the fattest of the three. He is in shirt sleeves, evidently feeling the
heat painfully. He pretends to be very busy and hardly looks up when I
say:
"I seen your ad. in the paper this morning."
"You're rather late," is his answer. "I've got two girls engaged
already."
"Too late!" I say with an intonation which interrupts his work for a
minute while he looks at me. I profit by this moment, and, changing from
tragedy to a good-humoured smile, I ask:
Public-domain text, read in full here on John Shaqi.
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