The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory GirlsVan Vorst, John, Mrs.
History
The Woman Who Toils: Being the Experiences of Two Gentlewomen as Factory Girls
Van Vorst, John, Mrs.
Child labor -- United States; Women -- Employment -- United States; Working class -- United States
("One does one's best!")
When the young couple had left the room our landlady said:
"The little woman eats well, doesn't she! She needs no tonic! All day
long she sits in my parlour and rocks--and rocks."
"She does nothing?"
Madame shrugged.
"But yes! She reads novels!"
It was half-past six when I got into the streets. The midwinter sky is
slowly breaking to dawn. The whole town white with fresh snow, and still
half-wedded to night, is nevertheless stirring to life.
I become, after a block or two, one of a hurrying throng of labour-bound
fellows--dark forms appear from streets and avenues, going in divers
directions toward their homes. Homes? Where one passes most of one's
life, is it not _Home_?
These figures to-day bend head and shoulders against the wind as it
blows neck-coverings about, forces bare hands into coat pockets.
By the time the town has been traversed, railroad track crossed, and
Parsons' in sight, day has nearly broken. Pink clouds float over factory
roofs in a sky growing bluer, flushing to day.
[Illustration: THE WINDOW SIDE OF MISS K.'s PARLOUR AT LYNN, MASS]
From now on the day is shut out for those who here and there enter the
red-brick factories. An hour at noon? Of course, this magnificent hour
is theirs! Time to eat, time to feed the human machine. One hour in
which to stretch limbs, to pull to upright posture the bent body.
Meanwhile daylight progresses from glowing beauty to high noon, and
there the acme of brilliance seems to pause, as freed humanity stares
half-blinded at God's midday rest.
All the remaining hours of daylight are for the leisure world. Not till
night claims Lynn shall the factory girl be free.
Ascending the five flights of dirty stairs, my steps fell side by side
those of a young workman in drilling coat. He gave me a good-morning in
a cheery tone.
"Working here? Got it good?"
"I guess so."
"That's all right. Good-day."
Therefore I began my first labour day with a good wish from my new
class!
On the fifth floor I was one of the very first arrivals. If in the long,
low-ceiled room windows had been opened, the flagging air gave no sign
to the effect. It was fetid and cold. Daylight had not fully found the
workshop, gas was lit, and no work prepared. I was eager to begin, but
was forced to wait before idle tools till work was given me--hard ordeal
for ambitious piece-worker. At the tick of seven, however, I had begun
my branch of the shoe-making trade. One by one my mates arrived; the
seats beyond me and on either side were filled.
Opposite me sat a ghost of girlhood. A tall, slender creature, cheeks
like paper, eyes sunken. She, too, had the smile of good-fellowship--coin
freely passed from workwoman to workwoman.
This girl's job was filthy. She inked edges of the shoes with a brush
dipped in a pot of thick black fluid. Pile after pile of piece-work was
massed in front of her; pile by pile disappeared. She worked like
lightning.
Public-domain text, read in full here on John Shaqi.
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