"No; we are quite well enough off to let her give all her time to her art if she wanted to. It's this way: we have to furnish so much butter, or its equivalent in eggs, poultry, stock, etc., to the state for the amount of land we cultivate; then we have to support our farm hands, that is to say, either we have to give to each wages out of the surplus produce of the farm, over and above what we pay the state as rent, or we have to furnish the state extra produce for every farm hand we have. Well, our hands prefer the former of these plans. The amount we give each farm hand depends on the amount of the surplus; every one of us is interested in making this surplus as large as possible. In this way we really have a great deal more than we can spend, and I could easily afford, out of my share of the surplus, to support Anna, so that she need not work at all." "You are very prosperous then?" "Yes, and why shouldn't we be? Now that we get grain at what it really costs instead of paying middlemen and speculators, railroad stockholders, elevators, etc., etc., everything is half the price it used to be. Then we need never fear that no one will buy our produce. The Supply Department can always tell us just where what we have is needed, and pays us for it on the spot. It does the transportation; and so the state needn't ask us an exorbitant rent, and can always pay us a remunerative price for our surplus." "But you don't suppose Anna of Ann would be induced to marry you just because you could support her, do you?" "She's a fool if she doesn't, as she apparently does not care for any one else." * * * * * That night after dinner most of the party adjourned to the music room, so I took a chair near the Mater who was knitting by the big fire in the hall. A benign smile lightened up her dear old round face as she made room for me to get close to the fire. I was curious to know what she thought of Anna, and said to her: "Phaines tells me he wants to marry Anna of Ann." "Isn't she foolish now not to marry him?" answered the Mater, putting down her work. "I am so fond of her, and Phaines and she would make an ideal couple. She could work all day at the art she is fond of and both ought to be as happy, all the year long, as larks in the spring." "I have sometimes thought," said I, wishing to draw the Mater out, "that Anna looked sad." "Well, she is a genius, and all geniuses look sad sometimes. It seems as though somebody has to be sad in order that others may be happy. Now, I am glad I am a plain farmer's wife and don't have to be sad. And yet," she added, taking up her knitting again, "I love to look at sad things. Have you ever seen Anna's statue of Bacchus?"