Lady Holme stood up to give him the note. She remained standing after he
had gone. An extraordinary sensation of relief had come to her. Action
had lessened her pain, had removed much of the pressure of emotion upon
her heart. For a moment she felt almost happy.
She sat down again and took up a book. It was a book of poems written by
a very young girl whom she knew. There was a great deal about sorrow in
the poems, and sorrow was always alluded to as a person; now flitting
through a forest in the autumn among the dying leaves, now bending over
a bed, now walking by the sea at sunset watching departing ships, now
standing near the altar at a wedding. The poems were not good. On the
other hand, they were not very bad.
They had some grace, some delicacy here and there, now and then a touch
of real, if by no means exquisite, sentiment. At this moment Lady Holme
found them soothing. There was a certain music in them and very little
reality. They seemed to represent life as a pensive phantasmagoria
of bird songs, fading flowers, dying lights, soft winds and rains and
sighing echoes.
She read on and on. Sometimes a hard thought intruded itself upon her
mind--the thought of Leo Ulford with the latch-key of her husband’s
house in his hand. That thought made the poems seem to her remarkably
unlike life.
She looked at the clock. The footman had been away long enough to do his
errand. Just as she was thinking this he came into the room.
“Well?” she said.
“I gave Mr. Ulford the note, my lady.”
“Then you can go to bed. Good-night. I’ll put out the lights here.”
“Thank you, my lady.”
As he went away she turned again to the poems; but now she could not
read them. Her eyes rested upon them, but her mind took in nothing of
their meaning. Presently--very soon--she laid the book down and sat
listening. The footman had shut the drawing-room door. She got up and
opened it. She wanted to hear the sound of the latch-key being put into
the front door by Leo Ulford. It seemed to her as if that sound would
be like the _leit motif_ of her determination to govern, to take her own
way, to strike a blow against the selfish egoism of men. After opening
the door she sat down close to it and waited, listening.
Some minutes passed. Then she heard--not the key put into the hall
door; it had not occurred to her that she was much too far away to hear
that--but the bang of the door being shut.
Quickly she closed the drawing-room door, went back to the distant sofa,
sat down upon it and began to turn over the poems once more. She even
read one quite carefully. As she finished it the door was opened.
She looked up gaily to greet Leo and saw her husband coming into the
room.
Public-domain text, read in full here on John Shaqi.
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