The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
There were quiet women like Anne of France who contented themselves with
the celebration of a very impressive service, and to all appearance shed
no tears, for they spoke neither of drinking the powdered bones of the
dead man nor of spending the rest of their life in the bed of the dear
departed. Anne of France indeed considered these proceedings as “useless,
unworthy and detestable follies”; the only mourning that appealed to her
was simple, silent and lasting. But more than once people were staggered
at the quantity of tears women’s eyes could contain. “Vainly do they
tear their cheeks and dishevel their hair; I go off and enquire of a
chambermaid or of a secretary how they were, how they lived together. We
would much rather they laughed at our death, if they would but smile on
us while we live.”[117]
A Spanish lady, the Countess of Consentana, in officially notifying
her vassals of the death of her husband, signed herself, “The sad and
unfortunate countess,” and, the better to indicate her distress, she
dropped two ink-blots where her name should have come. The facetious
vassals replied to their “sad and more than very unfortunate countess” in
an address which, in their agitation, they all signed with enormous daubs
and flourishes. Spain smiled, from Bilbao to Gibraltar.
So a widow left nothing undone to show how much she deplored her
solitary condition. To this first conclusion we must add a second not
less manifest: almost every widow strove earnestly to regard her husband
as alive, so true is it that her aim was to act under the shadow of a
husband as little in her way as she in his.
Of all the species of husbands, the dead husband is the one who would
require the most special monograph. However little heroic his life
may have been, his widow made it her business to sing his praises in
public. A woman whose married life had notoriously been one of discreet
indifference, if not of discord, would spend her nights and days in
celebrating the glory and the memory of the dead man. So profoundly would
she identify herself with him in heart that ere long she would develop
into the widow of a great man and rise into a superior atmosphere. The
greatnesses which the deceased perhaps never possessed she first gave
him and then appropriated herself, and in the fire of this love she was
gradually consumed. Besides, sometimes she happened actually to have got
past the age for love.
Public-domain text, read in full here on John Shaqi.
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