The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Women are so constituted as to understand this sharp antagonism between
material love and spiritual love—women, who, at a certain crisis of
life, feel so strongly the contrast between the cruelties and ironies
of material things and the refinements of the heart. They drag about a
body often feeble, suffering, wretched, a misshapen, bleeding, shamefast
body, a pain-stricken body, born for love and worship, but subdued to
the surgeon. There comes a time when they would fain forget the animal
and wash it of its impurities if possible; their soul has become more
intensely spiritual. If they shudder at the recollection of certain
physical necessities, through that very fact the secret of happiness
appears to them simpler, more luminous, less clogged with matter;
branded by life, as certain mystics bore the brands of divine love, with
sides pierced and limbs explored and broken by the hands of men, they
are athirst for love, enthusiasm and worship, they understand that no
intellectual hair-splitting, no doctrinal analysis, is worth a snatch of
love. They know the sweetness of things. I will go farther: they know the
extraordinary influence of moral forces on physical health; the body,
like society at large, needs to be reinvigorated by soul and heart.
The truth strikes upon them vividly by a sort of intuition. But it is far
from being the case that all women are able to profit by it, because they
have to reckon with a thousand practical obstacles: they require great
liberty of mind and a large share of energy if they are to avoid being
restrained by a host of more or less respectable prejudices, conventions,
and usages. After all, timidity, indifference and frivolity are very
natural things.
Public-domain text, read in full here on John Shaqi.
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