The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
and the sole benefit is reaped by us, or at least by men capable of
enjoying an illusion. Sometimes, in their infinite goodness, they may
give us divine moments that compensate for the painfulness of life; they
succeed in thrilling us with that magnetic influence which quickens our
faculties, sends our life into a wider channel, makes commonplace actions
seem interesting to us, gives higher relief and brighter colour to all
our surroundings. They do a good work, a pious work, a social work. And
that is why this loveless love fell especially to the lot of princesses.
At first sight the idea of making love so excessively aristocratic
appears somewhat singular, if not repugnant. What is the value of
distinctions of birth in such a matter? To sincere hearts they can only
raise obstacles to genuine happiness. This was especially the opinion of
Anne of France. Could it be right to dignify with the name of love or
platonism a wretched coquetry which consisted in attaching oneself to
the most conspicuous women, whoever they were?—for some were plain, and,
what was worse, influential!—so that this so-called love would oscillate
between snobbishness and solicitation of the kind nowadays practised
upon a minister of state—whose ugliness does not matter. Assuredly it is
possible to love a plain woman with all one’s heart; such love, indeed,
is said to be the strongest. But how difficult it must have been in
those days for a princess to believe in a disinterested love! And even
supposing such happiness were hers, could she ever have relied upon it?
So the love of princesses, which was an essential characteristic
of platonism, sprang in reality from a very special principle. The
princesses (and other great ladies) had no experience whatever of the
sentiment (very masculine and somewhat modern) that everything was theirs
by right, and that a certain lofty egotism was the natural complement
of a lofty station. On the contrary, they imagined themselves to be the
property of society, so to speak, and not their own—and further, as they
realised that a great name is just as isolating and paralysing as a large
fortune, if not more so, they considered themselves specially bound to
keep their activities in full play. Their efforts were sweetened by their
pride. That the woman should have the castle and the man the cottage,
that she should be rich and he poor, seemed to them a good thing: it was
the subversion of old ideas, but the consecration of the idea that was
to be. They found a special charm in material inequalities of position;
it was often distressing to have to raise a man morally, but it was
delightful to raise him in a material sense; as Balzac has said, “No man
has ever been able to raise his mistress to his own level, but a woman
always places her lover as high as herself.”
Public-domain text, read in full here on John Shaqi.
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