The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Such is the magic haze in which Leonardo has enwrapped his Gioconda.
Everything is there, but he tells us nothing save that this is she.
He barely hints at her subtle mind, her soft, pure flesh; you seem to
catch a delicate perfume floating in the air. The world around her seems
sunk in torpor; the landscape fades away in indefinite and fantastic
suggestions. And the woman dominating it all pursues us with her complex
look—the look that all these women have; she seems to be several women
superimposed—a succession of appetites, a mingling of languors, thoughts
crowded on thoughts, an encumbrance of flesh. Voluptuousness and
intelligence are there too, held in reserve. She terrifies us, for she is
too richly endowed; she will give nothing: she is a woman of brains.
And yet we err in not trying to understand these women! We do not
understand them because we set them apart, picture them as solitary in
their defensive attitude, shutting our eyes to what engrosses their
mistrustful looks—the cruel welter of humanity around them.
With Anne of France and Vittoria Colonna we met Michelangelo. But
whom shall we find flocking about these gracious priestesses of love?
Contemptible drones, ambitious men, empty-headed fools, young fops,
youths anxious to push their way in the world, society clowns, scholars
in the sere and yellow leaf, a whole herd of men who have their reasons
for liking the tame cat’s rôle, and certainly would never think of love
unless someone mentioned it. Is it in any real sense cheating to cheat
such men? There are sceptics like the excellent Montaigne, who love in
order to find relief from their worries; others who love for a wager,
like Nifo, who went sweethearting because it amused Cardinal Pompeo
Colonna. There are pedants and hair-splitters; men who analyse and refine
and talk of social duty—speak too of their love for humanity at large,
for irrational things, for the All-in-all, for supernatural beings, for
the angels. They make love an amusement like dicing and racing. They tell
off on their fingers the various species of love.
Public-domain text, read in full here on John Shaqi.
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