The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Poor women! they were under no illusion about the superficial effect they
for the most part produced; they knew that perhaps it would all amount
to no more than an outward show of improvement, and that at bottom man
would remain the vulgar and self-seeking creature he was.[169] This
thought confirmed them in their platonism and their virtue; if there was
no better result, they told themselves that, after all, to awaken mere
sensibility was not an absolute waste of time; that it was a merit to
refine vice, to “polish it up,” to drape it with hypocrisy, to rule men
and impress their intelligence even by indirect means: they found the
occupation every whit as interesting as piling up household linen or
polishing the furniture. They hoped that the future would justify their
devotion. After all their love was only a means; the end was to pour
upon life a little joy, a little balm, light, power, happiness—to shower
happiness everywhere.
CHAPTER III
THE MISSION OF BEAUTY
Before we can make others happy we must draw upon the sources of
happiness in our own nature and in the world around. It is reason’s
ungracious way to show us the realities of life in the mass, and even in
their darker aspects; it is aestheticism that turns their bright side to
us. Absolute ugliness does not exist, any more than absolute beauty, and
a careful analysis detects an element of beauty and love in everything.
The quest for this element is women’s work. In moulding us into beings
sensitive to the least manifestation of happiness, they restore us to
health.
Their first duty is to exhibit in themselves every loveable quality,
physical and moral; for platonism is not the art of loving, but the art
of guiding men towards happiness through love. Their second duty is to
make good use of the elements at their disposal, and force life to yield
the very pith and essence of the Beautiful. Or we may liken them to
conductors of orchestras, who draw unexpected tones out of space. How
noble, how difficult is the task! Surely there is enough in it to fill a
lifetime! What intelligence, what knowledge, what skill, even to charming
sympathetic accents from a stone, are needed! Platonism would be narrow
and inadequate indeed—would be indistinguishable from the most hackneyed
sentiments—if it were satisfied with the triumph of feminine coquetry,
and did not extend its mission to the whole of nature.
To render themselves beautiful and admirable, therefore, women will have
to make the most of their resources. Whatever their occupation, they can
always mingle with it something of the ideal, or turn it to the glory
of their sex, even if it is a mere matter of dining or of walking in a
meadow; how much more so if it is a question of the manifold usages of
social life, and more especially of its intellectual occupations! Through
their fostering care all things should become imbued with a sentiment of
peace and love, and tend in common towards happiness. That is where their
talent lies.
Public-domain text, read in full here on John Shaqi.
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