The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
In practice the dance hardly attains this ideal; yet, even confined
within the walls of a room and reduced to a social art, it can still meet
the high demands of moral fellowship and become for women an instrument
of the most legitimate charm. The Italians especially excelled in
giving it a solemn air of sentimental gravity; some of their fêtes are
remarkable in history—for example, the ball given at Milan by Francesco
Bernardino Visconti on October 15, 1499, in honour of the conqueror,
Louis XII., or, in point of magnificence, the subscription ball got up by
the household servants of Venice in February, 1524. These were memorable
triumphs of art. But this high significance of the ball was never
understood in France. When people gave a ball they troubled themselves
very little about posterity, but a great deal about a certain number of
trifling present joys; and these made women descend a little from their
pedestal.
There was in particular one peculiar custom, eminently pleasant in
itself, but not very celestial, and lending itself to abuses. This was
the custom of kissing.
Well-bred men in every country used respectfully to kiss a lady’s
hand.[203] The Italians did so with fervour; if required they would have
kissed the feet; and a man had to be a German to stigmatise as idolatry
the kiss applied to the toes of the Pope! Italian women disported with
this kissing with perfect grace and all sorts of little refinements. At
a casual meeting they confined themselves to a pleasant handshake; but
tête-à-tête with a man they wished to honour, they would be the first
to kiss his hand, fondly, and without any of those affectations of
bashfulness which sometimes inspire such bitter afterthoughts. It was a
charming and very natural custom; but in France it took quite another
complexion. Men, being the masters, knew nothing of fine shades and nice
distinctions; the having to greet or take leave of an agreeable woman was
sufficient pretext for kissing her lips, and the motive they alleged for
this proceeding was that it struck them as being “amiable and sweet.”
In the ballroom it was another story; every dance-figure ended in a
kiss, and if we must add that it was complicated with wild and giddy
horse-play, it must be remembered that a French ball was racy of the
soil. Like a genuine Frenchman, Louis XII. felt it his duty at Bernardino
Visconti’s ball to kiss one after another all the ladies presented to
him, in other words, every woman in Lombardy.
Public-domain text, read in full here on John Shaqi.
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