The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
The princesses had also, besides the books of the hour, books that
they had been obliged to buy or accept, books left to them—those which
were kept “for their backs,” as Montaigne said. The bookshelves made
a brilliant display in a spacious gallery adorned with the choicest
objects of art. The bulk of the library usually consisted of books on the
elements of religion, history, and morals; it also contained romances,
poetry, Petrarch, Boccaccio, and books with engravings, which too often
replaced those charming manuscripts of which Louise of Savoy was one of
the last protectors.
The books that were read were treatises on history, especially Roman
history, and on practical medicine.[229] But custom varied.
Certain ladies, like Anne of France, browsed on the early fathers, the
philosophers, and the moralists. Many, while loving studies of this kind
and calling themselves highly philosophic, preferred to have their food
peptonised, and to be furnished with ready-made convictions which only
required ventilating and disseminating in conversation. A number of
Italian treatises proffered themselves for this little service, the best
of which was Castiglione’s book, _The Courtier_. To name Castiglione is
to name the Bible of platonism, the code of aestheticism, the Machiavelli
of anti-machiavelism; Castiglione was in the hands of every woman who
meditated on the ideal.
From a purely aesthetic standpoint the classics were in favour, except
Virgil, to whom only the Mantuans remained faithful, probably from
local feeling. Ovid, who speaks so well and so much about women, ranked
very high. He had been popularised in France by the translations of
Octovien de Saint-Gelais and André de la Vigne; illustrated editions went
off rapidly, even though the engravings were old. In the very highest
artistic spheres, people swore by Cicero.[230] In Margaret of France’s
circle the favourite names were Terence and Cicero, Castiglione and
Boccaccio.
On the reading days, which were principally (we are bound to say) the
grey days of existence, when one feels abandoned by God and men, when
one is left to “one’s own devices,” people rather sought for light
entertainment, if possible gently emotional, or at any rate lively,
cheering, affecting. The Bible was very useful for getting glimpses of
Heaven without having to run to a monk or a parson, for an intelligent
woman cared for nothing lower than a bishop. If they wanted psychology,
they went to poetry, novels, romances. A mere sonnet, a little story,
very short but with movement and savour, would suffice to cure a casual
fit of dumps; in more complicated cases they took up some voluminous
romance, which engrossed the attention for long hours and reflected life
for the nonce in warm and sunny hues.
The literature of the Renaissance was well provided with _Nouvelles_ and
_Facéties_, answering all the demands for spiced and piquant reading made
even by the platonist ladies.
Public-domain text, read in full here on John Shaqi.
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