The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
Another charming custom in Italy was for a lady to recall herself to
the recollection of her friends by means of a little present. Vittoria
Colonna sent her portrait to Bembo, accompanied by a few verses from her
own hand: “Verses pure and dainty!” cries Bembo, “that touch the heart
far more than a mere letter.” On another occasion she charged one of her
friends, who was going to Mantua, to convey to the marquis “a friendly
and sympathetic” greeting, with some small token of her regard. The
friend thought he was doing right in offering a basket of roses, and the
marquis lost no time in sending his respectful thanks direct to the fair
donor. And then Vittoria formally apologised in very affectionate terms
that her messenger had “honoured him so little” as to offer so modest a
souvenir.
Truth to tell, Frenchwomen showed much less feminine grace in this
matter, which explains our dwelling on the charm of their Italian
neighbours. The most Italianised of them could not attain this seductive
charm. In all the correspondence of Margaret of France you will not find
one letter recalling those we have just quoted almost haphazard. Margaret
did indeed sedulously strive to attain that charm, as we cannot but
perceive, but her languishings resulted in little else than prolixity. It
will not do to strain one’s talent.
Renée of France, though she became duchess of Ferrara, never acquired
the Italian trick; she continued to write with French brevity. Diana of
Poitiers and the duchess of Etampes amaze us by the almost arid precision
of their style; they might have given points to the most dry-as-dust
of attorneys; there is never a sign of a gust of passion or of love’s
finesse. The rising generation of Henri II.’s time came nearer the
attainment of a pleasant style. The king’s two daughters, Madeline and
Margaret, wrote excellent hands—easy, graceful, even, with a uniform
slope, the letters broad and clear, the whole style very distinguished;
and they employed pleasant and engaging forms, phrases of genuine
affection, especially in their family correspondence.[279] But they too
were at their best in short notes, and their most pleasing letters are
always very brief. The higher charm remained the secret of Italy.
BOOK III. THE INFLUENCE OF WOMEN
CHAPTER I
POLITICAL INFLUENCE
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