The women of the Renaissance : $b A study of feminismMaulde-La-Clavière, R. de (René)
History
The women of the Renaissance : $b A study of feminism
Maulde-La-Clavière, R. de (René)
Feminism -- France -- History; Feminism -- Italy -- History; Renaissance; Women -- History -- Renaissance, 1450-1600
On this system, the mothers could not form close ties with their
daughters, still less enter into their life. One mother, however,
inspired by her ardent devotion to an only daughter, and at the same
time thoroughly conversant with the actual necessities of life—Anne
of France—has shown to what good account these apparently rudimentary
opportunities might be turned, while paying due respect to the advice of
Gerson and the physicians. She set down her views in a little work, of
a purely practical and intimate character, designed for her daughter’s
use, and written day by day with a certain desultoriness, according to
the line her reflections or her reading happened to take, and without the
slightest intention of supporting a thesis. This book imparts to us _ex
abrupto_ the secret of her thoughts.
She pinned her faith to education, not to instruction; she desired an
education that was spontaneous and in some sort automatic, which would
result, not from a perfect intimacy between mother and daughter, still
less from a sentiment of equality, but solely from a kindly, frank, and
affectionate association, of such a nature that the mother would colour
her child’s character “as good wine colours its cask.”
This gentle prescription assumes a wide mental culture to begin with, and
a certain robustness of intelligence. Anne of France intended the moral
and philosophic education of the girl to be carried out with the aid of
Boethius, Plato, the fathers of the church, the ancient philosophers,
and, it need hardly be said, in conformity with the “Instructions of St.
Louis.”
On the other hand she did not trouble to develop the imagination or the
emotions: she had a horror of affectation, of all that appeared to her
to smack of the studied, the conventional, the theatrical: she would
not permit it anywhere, either in dress, in which she rejected false
simplicity and false elegance alike, or in conversation, studies, or
conduct. She loved only the splendour of truth, the glorification of the
real in its noble aspects. It was her aim to temper the young girl’s soul
by instilling into her the habit of searching enquiry and deep thought,
and of building her reasoning always on clear premises like the certainty
of death or the existence of God.
Public-domain text, read in full here on John Shaqi.
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