The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
She has been lucky, yes, but not beyond her deserving. The _Atlantic_
which printed her first offerings was, you will remember, the same
_Atlantic_ which gave Jack London his first chance. The Boston magazine
seldom prints serials, how seldom may be gathered from the fact that
five years elapsed after the appearance of Mary S. Watts’s _Van Cleve_
before the “continued” line footed one of its pages. Yet the _Atlantic_
serialized _Isidro_. The _North American Review_, no less severely
selective than the _Atlantic_,--the _North American_, which had printed
serially novels by Henry James and Joseph Conrad, elected to print Mary
Austin’s _The Man Jesus_ month by month. _The Man Jesus_ is a biography
such as none but an American steeped in the wilderness, steeped in fine
literature, with a deeply developed reflective habit could have written.
It might almost have been predicted from a woman who remarked in 1904,
who threw out in the course of a casual lecture the arresting words:
“Most of the great religions have originated in desert countries.”
If we say that _The Man Jesus_ called for unusual knowledge and an
unusual faculty, what shall we say of _A Woman of Genius_? Some readers
were doubtless shocked by this novel on its first appearance; the number
must be smaller to-day. It is as honest as George Meredith and as
finely wrought as anything by Henry James. Genius, in the experience of
Olivia Lattimore, a superb actress of tragic rôles, is a gift, a
possession in the sense in which we say that a man or a woman “is
possessed of”--or by--a devil. Living in Chicago on 85 cents a week was
not only not in any way important to her artistic development, it was
actually “a foolish and unnecessary interference with my business of
serving you anew with entertainment.” In other words, the people who
think that poverty and heartbreak are inevitable in the case of a person
of genius, are even desirable or requisite for the growth and flowering
of that genius, are a pack of silly souls. Worse than that, they are
guilty souls; for their attitude allows misery and wretchedness to
befall the gifted mortal to such an extent that the wonder is the world
has any geniuses at all, or any who survive to reveal what is in them.
And so Mrs. Austin makes her Olivia Lattimore bare her life for us
pretty completely. It is an austere and serious revelation.
“About a week before my wedding we were sitting together at the close of
the afternoon; my mother had taken up her knitting, as her habit was
when the light failed.... On the impulse I spoke.
“‘Mother,’ I said, ‘I want to know ...?’
“It seemed a natural sort of knowledge to which any woman had a right.
Almost before the question was out I saw the expression of offended
shock come over my mother’s reminiscent softness....
Public-domain text, read in full here on John Shaqi.
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