The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
She has further the largeness of mind and tolerant humor to study all
and understand all and set everything down with unfailing gusto. Nothing
is too mean or too shabby, too pretentious or too lofty for her eyes and
her pen. She delineates insufferable young men like George Ducey in
_Nathan Burke_ and Everett Boardman in _The Boardman Family_ whom Gene
Stratton-Porter would not touch with a pitchfork and whom Edith Wharton
could never render adequately. But Lord! these young men must be of some
use in the world, we can fancy Mrs. Watts saying with a smile, else it’s
not likely they’d be here! The fact that they are here and have to be
reckoned with is enough. Let us see what is to be made of them. And she
proceeds to show us what _is_ made of them--not a pretty spectacle, to
be sure, not pointing a clear moral, maybe, but worth our while if only
to remind us of what we don’t know. We suspect that Mrs. Watts would
subscribe without reservation to Conrad’s notion that trying to find the
moral of our existences is in the main futile. Do you recall his words
in _A Personal Record_?
“The ethical view of the universe involves us at last in so many cruel
and absurd contradictions, where the last vestiges of faith, hope,
charity, and even of reason itself, seem ready to perish, that I have
come to suspect that the aim of creation cannot be ethical at all. I
would fondly believe that its object is purely spectacular: a spectacle
for awe, love, adoration, or hate, if you like, but in this view--and in
this view alone--never for despair! Those visions, delicious or
poignant, are a moral end in themselves. The rest is our affair--the
laughter, the tears, the tenderness, the indignation, the high
tranquillity of a steeled heart, the detached curiosity of a subtle
mind--that’s our affair!”
It is, O master! Mrs. Watts has always made it very much her affair,
from _Nathan Burke_ to the present hour. In her is laughter, as when, in
_The Rudder_, Marshall Cook, the author, inspects the plant of Amzi
Loring, the “ice king.” Mr. Loring is a self-made man. Cook watches the
machinery spill blocks of ice weighing 300 pounds each.
“‘Beautifully clear! I was just thinking it was like a great glass box,’
said Cook. ‘It had no look of being solid.’
“‘Um-huh. Well, I _have_ seen things put inside it,’ said the other, sly
anticipation suddenly appearing on his features. He nodded significantly
to the puller; and presently with another clang, another wail of
escaping air, there boomed down upon the runway and fled past them
another three hundred pounds with a dark object embedded in the middle
of it, at sight of which Cook gave an exclamation.
“‘What!’ he shouted, rushing to peer after it.
“‘I told ’em to save out that cake and send it up to the house for you,’
said Amzi One, smiling, well-pleased. ‘You’ll see it again when you get
home.’”
A copy of Mr. Cook’s latest book had been frozen in the ice cake.
Public-domain text, read in full here on John Shaqi.
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