The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
Mrs. Martin, like Marjorie Benton Cooke and Harriet T. Comstock, is
interested in social questions. She has decided views on bringing up
children, wealth and poverty; she does not subscribe to Mrs. Charlotte
Perkins Gilman’s views of motherhood; she is not a feminist in any
general meaning of the word, because she believes that feminism in many
of its aspects is a passing phase. As a rule her preoccupation with
these problems is kept out of her work--the older generation of the
people she wrote about were blandly unaware that such questions reared
their heads--but her last two novels, _Gertie Swartz: Fanatic or
Christian?_ and _Maggie of Virginsburg_, introduce them extensively and
disastrously. Mrs. Martin’s failure with _Gertie Swartz_ arose entirely
from her inability to assimilate such matter _before_ writing her story.
As a result industrial conditions and employees’ welfare are
indigestible lumps in the novel. Some subjects cannot be introduced
bodily into a piece of fiction. They must arise as they arise in life
out of situations and character. They cannot be discussed in a story as
they are discussed from a platform. They can only act upon the people of
the tale or be acted upon by them; they can be discussed, if the
representation of life is to be fairly accurate, only to the extent that
the situations of the story call for. It is true that life contains many
futile and windy discussions, some academic, some not; but the only
things that count are those which involve action or precipitate action
or express or mold character. The novelist must exclude all else,
otherwise the novel will lack illusion and resemble nothing so much as
the minutes of the last meeting of the Society for the Suppression of
Sociological Sores.
_Gertie Swartz_ aside, the real controversy over Mrs. Martin’s work
arises from her studies of Pennsylvania Dutch life, and is of a sort to
give satisfaction to her as a writer. For the very nature of the
controversy carries with it the plain implication that she has got under
the skin of her people. It is alleged and deposed that she does not do
the Pennsylvania Dutch justice. The allegation was most completely made
in the New York _Evening Post_ for April 29, 1916, by Isaac R.
Pennypacker.
Public-domain text, read in full here on John Shaqi.
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