The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
_The Song of the Lark_ gains over _O Pioneers!_ in the first place by
its sheer bulk. _O Pioneers!_ was a series of scenes in a single but
changing setting; to cover so much ground, in point of time, the author
had to strip her action of all that was not indispensable. But as _The
Song of the Lark_ is entirely centered about the development of a single
person there is a chance to enrich the narrative with no end of detail;
more, it is necessary to do so. For here we are trying to come at the
innermost secret of Thea Kronberg, we are trying to find out
what--_what_--it was in her that made her great. To get at that we must
have exhaustively every item which can be made to contribute the least
mite of information. We must have everything about her from her
girlhood to her success on the New York stage, we must have all the
persons who came in contact with her and who had their effect on her, or
upon whom she had her effect, for it was generally that way about! We
must have her as she appeared to each and every one of the few really
privileged to know her. What they saw and said, the conclusions they
drew, are the material from which we have to dig out the secret. And
Miss Cather gives us all we need. She is replete with the facts and she
puts them in their entirety before us. The result is a biography, no
less; but a biography unencumbered with letters and irrelevant
conversations and unimportant views and the unendurable
conscientiousness of the faithfully recording friend.
_My Antonia_ is a book to be put alongside _O Pioneers!_ It is less
epical but of more historical value for its minute and colorful
depiction of life on the Nebraska prairies and in the Nebraska towns
about 1885. The book is really a chronicle of people and their
surroundings, a mosaic of character sketches and scenes and short
stories brought within a single ken. The material ranges from tragedy,
horror and repellent occurrences to pathos, humor and farce. It is
perfectly handled, however; the reader is never offended and is
variously touched and amused--and always the book is engrossing. Such a
book is worth a dozen formal historical records. And the figure of
Antonia Cuzak is a biographical triumph. Reminiscence here surpasses
fiction.
Public-domain text, read in full here on John Shaqi.
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