The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
Looking at the enterprise now Mrs. Brown is the first to concede its
quixotism, its hopelessness, its ridiculousness from the start. And yet
it proved immensely worth while in unsuspected ways. Going to London,
the novelist succeeded in getting to Lloyd George; afterward she had
access to other high personages in the Allied countries. Besides French
she knows Italian. At Athens all doors were open to her. She interviewed
not once but many times King Constantine himself and his generals.
Afterward she went to Salonica and talked with Venizelos. When she had
done she was able to write, purely as a reporter, _In the Heart of
German Intrigue_, one of the notable exposés of the war. Out of the
mouths of Constantine and his aides she convicted them. Her series of
interlocking interviews built up a complete and fatal revelation of what
Germany, with the connivance of Constantine’s government, had planned to
do.
Mrs. Brown’s work as a reporter of royalties and others and even her
autobiographical books such as _A Child of the Orient_ and _Haremlik_
are, strictly considered, outside the scope of this sketch, which has
to do with her primarily as an American novelist and a woman. As a
novelist she has several books to her credit besides her initial
offering, _The First Secretary_. _The Duke’s Price_, written with her
husband; _Finella in Fairyland_, _In the Shadow of Islam_, and _The
Grasp of the Sultan_, which was first published anonymously (“by?”), are
all hers, as well as _The Heart of the Balkans_. Of all these _The Grasp
of the Sultan_, which received serial publication and sold well even
before the disclosure of the author’s identity, is the most interesting
and most deserving of detailed consideration in this place.
The novel was published in 1915 (as a book in June, 1916) and represents
Demetra Vaka’s skill after some ten years’ apprenticeship at writing in
English. A young Englishman, having wasted a fortune, drifts to
Constantinople, and is appointed, through the agency of a countryman who
has become a Turkish admiral, tutor to the imperial Ottoman princes. The
youngest in his charge is 4-year-old Prince Bayazet, whose mother is a
beautiful Greek girl of the harem. She has dared to defy the Sultan,
who, failing in entreaty, strives to break her will by taking her son
away from her. By a ruse of the head eunuch, she recovers the child and
obtains the Sultan’s pledge that they shall be unmolested for five
years.
This is the background for a romance. The young English tutor falls in
love with the Greek girl and plans to escape with her and the little
Prince Bayazet.
Public-domain text, read in full here on John Shaqi.
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