The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“Well, girls,” she told her daughters, “we will have a good beefsteak
dinner and let to-morrow take care of itself.” Even then she felt, as
she afterward said, that “God and Amelia Barr were a multitude.”
For fourteen years Mrs. Barr toiled, meeting with successes and rebuffs.
It was a hard struggle. After working all day in the Astor Library she
would often at night take her daughters to the theater, leaving
sometimes in her purse only enough money for carfare in the morning.
Returning from one of these outings she discovered that her house had
been broken into. Rushing at once to the family Bible, she found $40
between the pages where she had placed it for safety. Not having in
those days enough money to bank, she would often put bills behind
pictures, and they were never disturbed.
In 1884 _Jan Vedder’s Wife_ was published. The success of this book
almost immediately placed Mrs. Barr in the front rank of popular
American novelists. From that time her record was phenomenal. Over
fifty-three when her first book appeared, Mrs. Barr produced an average
of over two novels a year and at the close of her life she had not one
unsold manuscript. She had written only one article, she said, which she
was never able to dispose of. And so little did she care for her books
after they had been written that she had not a complete set of them in
her library, which numbered several thousand volumes.
She not infrequently took up one of her old novels and after reading it
said that it seemed like a new story. “All my characters,” she once
remarked, “are real to me. They begin to live and have a personality of
their own. I have started to write a villain and afterward fallen in
love with him and made him my hero.”
Mrs. Barr’s books were invariably sold outright. Years ago she made a
thorough study of the early history of Manhattan Island, which
ultimately formed a foundation on which she built eight historical
novels which stand out as among the best of her work. Chronologically
considered they should be read as follows:
_The House on Cherry Street._
_The Strawberry Handkerchief._
_The Bow of Orange Ribbon._
_A Maid of Old New York._
_A Song of a Single Note._
_The Maid of Maiden Lane._
_Trinity Bells._
_The Belle of Bowling Green._
So much Mr. Corning. The author of this book can add nothing to so
extraordinary a story. As fiction, Mrs. Barr’s own life and performance
would be called incredible. Her stories are first-rate stories; all of
them offer clean, imaginative and very real entertainment; many of them
offer a true and valuable picture of vanished or vanishing times,
manners and people. Her achievement was much bigger and more solid and
worth while than many, many efforts at literary “art.”
BOOKS BY AMELIA E. BARR
Public-domain text, read in full here on John Shaqi.
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