The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“She may choose a commonplace subject--a girl, a woman, a road, a
husband.... Mrs. Coburn immediately succeeds in placing hers in the
uncommon category. It is the qualifying adjective that plays a prominent
part in making her subjects peculiarly original. She specifies that her
heroine is a sick-a-bed lady, her girl is very tired, her thoroughfare
is a runaway road, and even the husband in her sanitarium story is a
Sunday spouse.
“It is not her nomenclature alone that is unique and attractive. Added
to marked creative ability, she has a quality of verbal fitness, and her
phrases are charged with amazing intensity and force, so that there is
an exhilaration in her pages. Indeed, as one of her friends said, after
reading _The Kink in the Air_, one about decides that it is the ‘kink’
in this author’s style that is its chiefest charm.”
Many scoff; Franklin P. Adams used to divert himself with Eleanor
Hallowell Abbottisms; scratching the surface of the ground like an
industrious hen you may uncover many choice morsels of wriggling
English. But if you think these are all the Eleanor Hallowell Abbott
books contain you are as deluded as the hen that thinks she has
uncovered earth’s deepest secrets. Below, far below, but not buried at
such a depth as to be uncoverable by ordinary minds, are veins of pure
humor, tenderness; the rich gold of sympathy and friendly fancifulness.
They are paying streaks. Pick up a reprinted copy of _Molly
Make-Believe_ and look at the page in the front which records _over
twenty_ editions in five years!
We follow the lead of the Boston _Globe_ article:
Miss Abbott works slowly and carefully. Her chief concern while writing
is with her own feeling about the tale she is at work upon. Unless she
comes to like it pretty well she does not send it to a publisher. It
must interest her first as some sort of warranty that it will interest
others. “Painter, musician, writer--whether anybody else likes your work
or not,” she says, “doesn’t specially matter if you can only bring that
work to the point where you like it yourself.”
Public-domain text, read in full here on John Shaqi.
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