The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
Upstairs there’s a bright little room where she works. Couch in one
corner, built-in bookcase in another, big desk in the middle. The desk
is heaped with piles of closely-written paper and books. On the soft
buff paper of the walls are paintings, drawings, photographs--the
originals of illustrations to Mrs. Comstock’s books are noticeable. Here
she writes most of each novel, subjected to endless
interruptions--friends and neighbors of a novelist never take the
novelist’s work seriously. When the finishing chapters are to be done
Mrs. Comstock packs manuscript, pencils and paper and goes away. Her
publishers and her husband have the address--no one else. She is one of
the extremely few novelists who do not use a typewriter--she writes it
all out longhand and makes several copies before she gets through. She
began by writing stories for the school paper, she continued by writing
children’s stories, then books for older girls and boys. _Janet of the
Dunes_ was her first novel.
Thomas Hardy is her favorite author. “Whenever I feel that I am stranded
I read Hardy and regain my poise. He discusses so clearly and nobly the
problems with which we are struggling to-day. And I also like Barrie;
principally, I think, because he knows women so thoroughly, and I always
know he knows. Stevenson once said of George Eliot that when she wrote
of men they always put their hands up to feel if their hair is coming
down; but Barrie writes of women without their appearing with a cigar in
their hands.”
Of her method of work Mrs. Comstock says:
“The first thing I see is the place and the people--the background and
the actors. Then their story begins to unfold in my mind. When the time
comes that that story must be written before I can have any peace of
mind, I sit down to it--not before. Other writers, I understand, usually
see the story or the people first, and the background later. With me,
the background, the environment of my characters, is all-important.
Why, I even keep a set of pictures of the country I am writing of on my
desk beside me.”
Public-domain text, read in full here on John Shaqi.
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