The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“In _Lydia of the Pines_ one sees Mrs. Willsie growing in strength, more
surely becoming one of the authentic voices of the nobler Americanism,
and her book is sure of a huge welcome by those who have that at heart.”
With equal enthusiasm Hildegarde Hawthorne declares that _Lydia of the
Pines_ “is the best thing Mrs. Willsie has yet done.” The author of this
volume has endeavored generally to be reticent in the expression of
personal preferences. He will only say that he does not agree with Miss
Hawthorne about _Lydia_. He found it fearfully dull while fully
conceding the interest of the ideas which Mrs. Willsie never fails to
present for her readers’ contemplation. He admired the portrait of John
Levine but deplored what he felt to be its lack of solidity. The reader
sees Levine in two relations only--to Lydia and to the Indians, and
unfortunately his relations to the Indians are mostly a matter of
hearsay, what came to Lydia’s ears, no more. To this writer _Still Jim_
seems by far the better book.
But Miss Hawthorne is thoroughly right when she says:
“No one who reads Mrs. Willsie’s books can fail to be deeply interested
in seeing how the writer grasps and lays before her public certain big
problems confronting us, such as this of the downfall of the early
traditions, the influx of races that have not our conception of
government or of life, and now the Indian problem. In _Lydia of the
Pines_ the shameful story of our treatment of the red man is
illuminatingly told. It is told with measure and good sense, and is
concretely pictured, the facts concerning one Reservation supplying the
material. Those who wish to ascertain how closely Mrs. Willsie sticks to
facts need only hunt up the reports of the Board of Indian Commissioners
in regard to the White Earth Reservation in Minnesota to find out. The
whole story is there, told over and over again with endless, pitiful
detail. In her novel Mrs. Willsie has drawn intelligently upon that mass
of testimony, handled it with a full realization of its drama, and also
with a peculiarly broad understanding of both sides.”
Gertrude Atherton says: “I think _Lydia of the Pines_ is an American
classic.” Margaret Deland wrote to Mrs. Willsie concerning _Still Jim_:
“All the book is American to the roots--but big Jim is the American
soul. It is too massive a book to write about in detail;--it’s the whole
effect that moves me: truth, beauty and democracy. A fine piece of
work--an honest heart behind it. I congratulate you.”
The element of mysticism in Mrs. Willsie finds its outlet in the two and
three line reveries which she puts at the head of her chapters. Thus in
_Still Jim_ a desert rock muses:
“Humans constantly shift sand and rock from place to place. They call
this work. I have seen time return their every work to the form in which
it was created.”
“Coyotes hunt weaker things. Humans hunt all things, even each other,
which the coyote will not do.”
Public-domain text, read in full here on John Shaqi.
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