The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
This will seem a hard saying to most of us, who are trained to try to
get at the kernel of everything. All modern education is designed to
teach men and women to think and express themselves abstractly with ease
and freedom and surety. Why? Because since the Greeks certain
abstractions and abstract thought and expression generally have been
prized as the best and safest and handiest medium of intellectual
exchanges. They are the intellectual coinage--a kind of verbal money
that obviates the clumsy old methods of barter. But while we are all
used to money and would not do without it we have to remember that the
majority of mankind still carries on a vast amount of intellectual
exchange by barter. You tell me an actual incident or a story you have
heard and I tell you what I have experienced or heard. We “swap”
experiences and knowledge and each benefits by what he gets from the
other without so much as drawing a single abstract conclusion or
generalization. The method has its disadvantages but lack of interest is
not one of them!
Understand this and you understand Mrs. Burnett. She is dealing with you
as you would deal with your neighbor. You would not go to your neighbor
and say: “It is possible to live too long.” You would go and tell him:
“John Smith’s mother isn’t treated decently. Yesterday,” etc., and you
would relate the actual occurrence. He would nod. And he would tell you
something in exchange. And neither of you would generalize about your
respective narrations, but each of you would take the lesson in them
well to heart. That is the way of the world and of neighbors. It is Mrs.
Burnett’s easily comprehended way too.
When she leaves Plandome Mrs. Burnett consents to spend a few days in
noisome New York--you can buy things there, after all, and editors and
publishers there do congregate--and then she flees to Bermuda. But not
until the last cosmos of autumn has perished and gone and every
flowerbed at Plandome has been “tucked in a blanket of fertilizer.” In
Bermuda she--gardens. She imports, in times more favorable than the
present, countless roses from England. Her Bermuda cottage is
unpretentious but charming.
To revert for a moment to _The Shuttle_, we may note something almost
prescient in what Mrs. Burnett said, in 1907, about England and America,
in a letter respecting this novel. She somewhat regretted the
characterization of the book as “a novel of international marriage.”
That, she argued, was hardly her theme. Of course not. She has no
abstract themes. She wrote:
“The subject (of international marriage) is an enormous one, and if I
had written all I have been observing for years and all I should have
liked to write I should have made a three-volume novel.
Public-domain text, read in full here on John Shaqi.
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