The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
“I read the other day the most suggestive book that has appeared since
Miss Alcott published _Little Women_. The title of the book, _A Daughter
of the Rich_, by M. E. Waller, fails to convey an idea of the striking
qualities of a most fascinating story. The scenes and background of the
story are in a mountain fastness of New Hampshire, in a home where
parents of culture and piety, encumbered by poverty, are successfully
bringing up a household of delightful boys and girls. A city physician
persuades the father of an only daughter to send his delicate darling
out of the enervating atmosphere of a millionaire’s home that is
motherless, into the sweetness and mother-brooding environment of the
home on the mountainside. The little girl is introduced to strangers,
who at once become her friends, and in the novel situation, without a
single luxury, but in much homely comfort, she gains the health and
strength that wealth could not give her.
“I have it in my heart to wish that this book might have the vogue that
_Little Women_ had. The simple, beautiful story is worth a thousand
sermons and treatises on the best way of rearing and training a family.”
The _Christian Herald_ enters many homes and Margaret E. Sangster was
read by many thousands. There is no way of measuring the direct and
indirect influence of such praise as she uttered. It is very great. But
this was in 1907. The year following the appearance of _A daughter of
the Rich_, Miss Waller’s third book, _The Wood-Carver of ’Lympus_, came
along.
Books have curious fates. Gene Stratton-Porter’s _Freckles_ took three
years to find its audience. A fine novel by St. John G. Ervine,
_Changing Winds_, was published, had the expected sale and died;
remained dead for about a year and then suddenly began selling again! In
the case of a textbook such a phenomenon can always be traced to some
simple explanation. For example, W. J. Henderson wrote a condensed
treatise called _Elements of Navigation_ which sold desultorily for
years, the sales slowly declining. Came the Great War. The United States
undertook to create a merchant marine. Thousands of men had to be
trained to navigate merchant ships. Mr. Henderson’s book sold like hot
cakes, was reprinted; was revised and pretty well rewritten; sold faster
than fiction!
In the case of a novel a “resurrection” is seldom quite explicable. It
is matter for conjecture what “brought back” _Changing Winds_. Now _The
Wood-Carver of ’Lympus_ was not a book that rose from the dead, but a
book that almost never lived; that is to say, it was six months before
it achieved popular success. Once “alive” it has ever since remained so.
Seven years after publication the _twenty-eighth_ edition was published.
It is unnecessary to say more.
Public-domain text, read in full here on John Shaqi.
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