The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
Steps and porches of red brick are set almost level with the grass. The
broad hall runs back to the garden and gives upon the study and the sun
parlor. Eloise Johnston is her sister’s house director. There are jam
closets, linen closets and a cedar room. Walled off from the garden are
the kitchen and servants’ dining-room. The servants, in the style of the
South, live in their own cottages. The hospitality of an older South is
maintained without abatement.
In a loose cloak, with a stout stick, Miss Johnston tramps the Virginia
hills. It is recreation, perhaps, but her mind is always at work. When
her body is at work also she sits at a mahogany desk in the study, a
cluttered desk, with an apple within reach of her free hand. Panes of
leaded glass about the room protect books of every description--history,
philosophy, science, most of the literature of suffrage and feminism--a
battalion, a regiment of volumes. In one corner two large globes, one
terrestrial, the other astronomical; elsewhere a microscope; on the
walls and mantel shelf copies of favorite pictures and photographs of
many friends. The beautiful old chest that used to house a grandmother’s
linen is full of old magazines and newspapers, ammunition for the
author.
Sooner or later someone will undertake the interesting task of going
through Virginia and identifying the sites of Miss Johnston’s stories. A
beginning was made by Alice M. Tyler, writing in the _Book News Monthly_
of March, 1911.
“_Prisoners of Hope_, _To Have and to Hold_ and _Audrey_ are full of
allusions to people, places and events that must cause the least
impressionable nature to thrill with patriotic and State pride. Visitors
to Jamestown have a newborn desire to pause beside the ruins of a
dwelling house where a young daughter of the Jacquelines greeted her
guests before going abroad to keep her birthday fête upon the greensward
in Audrey’s day. At Williamsburg is pointed out a crumbling edifice that
in its day represented the earliest theater in the United States, the
one in which Audrey played to the gentry who came from the surrounding
country with their wives and daughters, eager to witness the antics of
the player folk. In the same Old World capital is Bruton Church,
representing the scene of another episode in Audrey’s life.
“Higher up James River by some miles is Westover, the home of Audrey’s
fair rival, Evelyn Byrd, whose pink brocade ball gown, a treasured
heirloom, recalls to mind the governor’s palace in Williamsburg and the
official function at which Audrey beheld the radiant Evelyn in the full
flush of her loveliness.
Public-domain text, read in full here on John Shaqi.
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