The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
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The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
He drank water
and sucked lemons for dyspepsia, and fancied that the use of pepper had
caused a weakness in his left leg. He rode a rawboned nag named Little
Sorrel, he carried his saber in the oddest fashion, and said ‘oblike’
instead of ‘oblique.’ He found his greatest pleasure in going to the
Presbyterian Church twice on Sundays and to prayer meetings through the
week. Now and then there was a gleam in his eye that promised something,
but the battles had not begun, and his soldiers hardly knew what it
promised. One or two observers claimed that he was ambitious, but these
were chiefly laughed at. To the brigade at large he seemed prosaic,
tedious, and strict enough, performing all duties with the exactitude,
monotony, and expression of a clock, keeping all plans with the secrecy
of the sepulcher, rarely sleeping, rising at dawn, and requiring his
staff to do likewise, praying at all seasons, and demanding an
implicitly of obedience which might have been in order with some great
and glorious captain, some idolized Napoleon, but which seemed hardly
the due of the late professor of natural philosophy and artillery
tactics at the Virginia Military Institute. True it was that at Harper’s
Ferry, where, as Colonel T. J. Jackson, he had commanded until
Johnston’s arrival, he had begun to bring order out of chaos and to
weave from a high-spirited rabble of Volunteers a web that the world was
to acknowledge remarkable; true, too, that on the second of July, in the
small affair with Patterson at Falling Waters, he had seemed to the
critics in the ranks not altogether unimposing. He emerged from Falling
Waters Brigadier-General T. J. Jackson, and his men, though with some
mental reservations, began to call him ‘Old Jack.’ The epithet implied
approval, but approval hugely qualified. They might have said--in fact,
they did say--that every fool knew that a crazy man could fight!”
Now it is perfectly easy to take to pieces these descriptions and the
other passages we have cited from Mary Johnston’s work. With a little
study you may see several things which go far to explain the
effectiveness of her passages, some of them things of which she was not
directly conscious in writing, things that her experience had taught her
and that she attended to automatically, almost without thought.
For example:--
Every word tells. Turn back to the first part of this chapter and notice
again in the account of Stonewall Jackson’s funeral how the focus is
narrowed. They bore the dead man past the immortal great and into the
Capitol, then into one room of the Capitol, and rested him before a
single object in that room. Your eye, which has been ranging widely, is
directed to a single point.
Public-domain text, read in full here on John Shaqi.
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