The Women Who Make Our NovelsOverton, Grant M. (Grant Martin)
General
The Women Who Make Our Novels
Overton, Grant M. (Grant Martin)
Novelists, American -- Biography; Women novelists, American -- Biography
Mrs. Harris’s books require reading, not critical discussion. And having
read them the criticism ensuing will not be literary criticism but a
criticism of life--which literature is sometimes held to be. In the
valley she lives with her daughter Faith, now Mrs. Harry Leech. It
should be noted that the acknowledged original of Susan Walton in her
book, _The Co-Citizens_, was Mrs. William H. Felton, Georgia’s pioneer
suffragist, a woman much honored for her public spirit and for public
services rendered as a private person, notably the production at the
right moments of a scrapbook in which were pasted all sorts of bits of
information about officeholders and candidates. Mrs. Felton collected
these items for years. She was over 80 when Mrs. Harris wrote her into
_The Co-Citizens_ and although she lived in Cartersville, near “the
valley,” the two women did not meet until after the publication of the
novel.
No better close for this chapter than its opening--Mrs. Harris’s own
words! She is picturing her life--and quite as vividly herself--to Isma
Dooley. It is after her visit to the European battlefronts. She revives
not what she saw of horror and struggle there, but what she has known of
pettiness and greatness in her peaceful home:
“I was so worried over the feuds between the brethren and the choir and
my own fault-finding spirit that I used to go round behind the church
sometimes and sit down among the graves to comfort myself.
“We have buried our people there for sixty years. Men who never could
get on with each other in the church are lying side by side, like
brothers in the same bed. I say it encourages me to know that the time
will come when we, too, will finish our day’s work and the strife with
which we test each other’s spirits, and lie down out there like the lion
and the lamb, together. But we shall be dead, which, in my opinion, is
the only safe way for lions and lambs to lie down together.
“I’d sit there and watch the fallen autumn leaves come whirling and
tipping over the tombs like little brown spirits of the dust, blown in
the wind. I thought of what a good man old Amos Tell was, though nobody
could get on with him in the church. But his contrariness didn’t count
now in my thoughts. I only remembered how he bore the burdens of the
church; how cross, but generous he was with the poor; how he made the
coffin for Molly Brown’s husband and didn’t charge for it. Then I’d bend
down and pull a few weeds from among the violets that grew round his
monument, as I’d have dusted his coat for him after a long journey. And
I would walk over and look at John Elrod’s fine tomb--John, who didn’t
know whether he was willing to be a fool for Christ’s sake and who
surpassed the wise in the simplicity of his faith.
Public-domain text, read in full here on John Shaqi.
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