The Wonderful Story of RavaletteRandolph, Paschal Beverly
Science
The Wonderful Story of Ravalette
Randolph, Paschal Beverly
Rosicrucians -- Fiction; Spiritualism -- Fiction
“Scarcely had we recovered from the surprise natural on such an
occasion, than we were again made sensible that we were dealing with an
extraordinary man, for, turning to me, he begged the loan of a small
metallic coin which I had received as a present from Mr. Carr less than
ten minutes before Vatterale entered the house, and which coin was
remarkably curious and valuable on account of its high antiquity, and it
was one of the only two known to be in existence, and had been begged
for me by Mr. Carr, from his friend Blaise de Jongé, the celebrated
Eastern traveller, and had only been sent in a note to Mr. Carr, by that
eminent savant, the night previous. Having received the coin, Vatterale
placed it in his pocket, and then taking out a set of ivory tablets,
wrote a request thereon, and handed it to Madame la Marquise de la
Fronde, an elderly lady, foster sister to the Baron. The request was
altogether so singular and so novel, that the old lady immediately read
it aloud: ‘_Will Madame la Marquise have the goodness to retire to the
alcove and remove from between her feet and stockings the metallic
plates, and, separating the zinc from the copper ones, place each metal
plate with its own kind, and restore them to her feet outside the
hose!_’ The lady almost fainted with astonishment, for she averred that
no mortal knew that she wore such plates, but that she had for ten
years, and found them, by reason of the electric currents they
elaborated and imparted to her system, highly beneficial to her health.
She retired as requested, and, returning in a minute, convinced us of
the marvellous seeing faculty of the mysterious Mai, by exhibiting the
plates, which were precisely as he had described. She again retired,
and, shortly returning, resumed her seat. These preliminaries being
concluded, Vatterale brought into the open space before us a small
portmanteau, which he carried in his hand when he entered the mansion.
From this he now took a coil of wire--indeed, three small coils tied
together--also a saucer of large dimensions of stone China, or thick,
very thick porcelain, a large vial containing a colorless liquid, a box
of paste or gum, two large, and entirely empty, thin bottles--so thin
that we all looked through them at the light, as he handed them to us
for that purpose. They were as clear as the best window glass, as thin
and as brittle, apparently, as the finest crystal. From the same
receptacle he also took what looked like three rolls of paper, one very
large when unfolded, the others quite small indeed. The larger bundle he
unrolled and spread upon the floor, on the space between the chairs and
_fauteuils_. It was about three feet in diameter, and was painted in all
sorts of colors, and figures entirely nondescript. The centre of this
article was immediately that of the triangle, ‘The Symbolical figure of
the Universe, or Oneness,’ as he called it, and of course was directly
beneath the large chandelier.
Public-domain text, read in full here on John Shaqi.
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